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Academy Award® Nominated: Inglourious Basterds

Posted by: Audiegrl, Geot, Bluedog89, and BuellBoy

Inglourious Basterds
In the first year of the German occupation of France, Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris where she forges a new identity as the owner and operator of a cinema.

Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish American soldiers to perform swift, shocking acts of retribution. Later known to their enemy as “the basterds,” Raine’s squad joins German actress and undercover agent Bridget von Hammersmark (Diane Kruger) on a mission to take down the leaders of the Third Reich. Fates converge under a cinema marquis, where Shosanna is poised to carry out a revenge plan of her own. Employing pulp and propaganda in equal measure, Quentin Tarantino’s INGLOURIOUS BASTERDS weaves together the infamous, oppressed, real and larger-than-life stories of WWII.

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Credits

Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Quentin Tarantino
Writer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Quentin Tarantino
Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lawrence Bender
Executive Producers . . . . . . . . . . . . . . . . . . . . . . Erica Steinberg and Lloyd Phillips
Executive Producers . . . . . . . . . . . . . . . . . . . Bob Weinstein and Harvey Weinstein
Co-Producers . . . . . Henning Molfenter, Carl L. Woebcken, and Christoph Fisser
Associate Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pilar Savone
Special Makeup Effects . . . . . . . . . . . . . . . . Gregory Nicotero and Howard Berger
Director of Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . Robert Richardson, ASC
Production Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . David Wasco
Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sally Menke, A.C.E.
Costume Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anna B. Sheppard
Visual Effects Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Dykstra

The cast includes: Brad Pitt, Mélanie Laurent, Christoph Waltz, Eli Roth, Michael Fassbender, Diane Kruger, Daniel Brühl, Til Schweiger, Gedeon Burkhard, Jacky Ido, B.J. Novak, Omar Doom, August Diehl, Sylvester Groth, Martin Wuttke, Mike Myers, Julie Dreyfus, Samm Levine, Paul Rust, and Michael Bacall

Reviews

IMDB member from England
Inglorious Basterds makes no apologies, asks for no forgiveness, it’s a no holds barred assault on the senses. Tarantino doesn’t care if he offends, if he steps all over stereotypes and clichés, this is film making at it purest. It’s great to see a film maker whose work clearly isn’t interfeared with by the powers that be. Tarantino is a master of effortlessly cranking up immense tension and suddenly mixing it with laugh out loud moments; you’re not sure if you should be looking away in disgust or rolling around laughing, either way it’s a roller coaster and one not to be missed! It’s not for everyone and I’m unsure how Germans will take the film, certainly if you’re not a fan of Tarantino’s style, this may be a little hard to swallow, but never-the-less, it is a film which simply has to be seen. No self respecting film fan should miss this. And the performance of Christoph Waltz… Oscar don’t you dare ignore him!!”

Did You Know?

Quentin Tarantino intended for this to be as much a war film as a spaghetti western, and considered titling the movie “Once Upon a Time in Nazi-Occupied France“. He gave that title instead to the first chapter of the film.

When asked about the misspelled title, director Quentin Tarantino gave the following answer: “Here’s the thing. I’m never going to explain that. You do an artistic flourish like that, and to explain it would just take the piss out of it and invalidate the whole stroke in the first place.”

Eli Roth’s character, Sgt. Donnie Donowitz, is part of the Tarantino-verse, sharing the last name of the film producer character, Lee Donowitz, in the Tarantino-written True Romance (1993). The Lee Donowitz character also produced a war film “Comin’ Home in a Body Bag“.

The name of Brad Pitt’s character, Lt. Aldo Raine, is an homage to both the actor and WWII veteran Aldo Ray and a character from Rolling Thunder (1977), Charles Rane (played by William Devane). One of the casting directors, Johanna Ray, is Aldo Ray’s ex-wife.

Eight Nominations

Best Motion Picture
Best Supporting Actor ~ Christoph Waltz
Best Director
Best Original Screenplay
Best Cinematography
Best in Film Editing
Best Sound Mixing
Best Sound Editing

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Noel Coward’s Star Quality to Light Up Academy Gallery

Posted by: Audiegrl

Noel Coward by Edward Sorel

Noel Coward by Edward Sorel

Star Quality: I don’t know what it is, but I’ve got it,” said Noel Coward in his inimitable style, cigarette in hand and a twinkle in his eye. The life and career of playwright, composer, director and actor Noel Coward will be celebrated by the Academy of Motion Picture Arts and Sciences in a new touring exhibition, “Star Quality: The World of Noel Coward,” opening on Saturday, January 23, in the Academy’s Fourth Floor Gallery in Beverly Hills. Admission is free.

Coward is well known as the creator of such stage classics as Hay Fever, Private Lives, Cavalcade, Design for Living and Blithe Spirit, many of which were adapted for film, and as the composer of such timeless songs as “I’ll See You Again,” “Mad About the Boy” and “Mad Dogs and Englishmen.” “Star Quality” will be the first exhibition to show the full extent of Coward’s talents as a director of plays and movies, a stage and film actor, songwriter, cabaret artist, wartime patriot, painter and patron of charitable causes.

Noel Coward and stage partner Gertrude Lawrence 1936

Noel Coward and stage partner Gertrude Lawrence 1936

With unparalleled access to the Coward Archives, and drawing on public and private collections in Europe and the U.S. as well as the Academy’s Margaret Herrick Library, the exhibition brings together dozens of rare photographs, drawings, paintings, original manuscripts, letters, sheet music, posters, playbills, set and costume designs, personal memorabilia, audio and video clips, and original costumes, including several of the silk dressing gowns that became Coward’s trademark. Coward’s friendships with many of the 20th century’s leading artists and film personalities also are documented throughout the exhibition, as are his contributions to the film world through his on-screen appearances and the numerous film adaptations of his stage work.

Noel Coward and Judy Garland 1951

Noel Coward and Judy Garland 1951

Star Quality: The World of Noel Coward,” is presented in association with the Noël Coward Foundation and the Museum of Performance & Design in San Francisco. The Academy’s installation has been guest curated by Brad Rosenstein and Rosy Runciman; the original exhibition was conceived and developed at Ten Chimneys by Erika Kent. Rosenstein will lead a public gallery talk at the Academy on Saturday, January 23, at 3 p.m. No reservations are required.

Star Quality: The World of Noel Coward” will be on display through Sunday, April 18. The Academy’s Fourth Floor Gallery is located at 8949 Wilshire Boulevard in Beverly Hills and is open Tuesday through Friday, 10 a.m. to 5 p.m., and weekends, noon to 6 p.m. For more information call (310) 247-3600 or visit http://www.oscars.org.

Stephen Fry, Michael York and Pat York attend the opening of the exhibition Star Quality: The World of Noel Coward presented by The Academy of Motion Pictures Arts and Sciences at the Academys Fourth Floor Gallery in Beverly Hills on Friday, January 22, 2010

Stephen Fry, Michael York and Pat York attend the opening of the exhibition Star Quality: The World of Noel Coward presented by The Academy of Motion Pictures Arts and Sciences at the Academys Fourth Floor Gallery in Beverly Hills on Friday, January 22, 2010

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Sandra Bullock Gives $1 Million To Doctors Without Borders for Haiti Relief

Posted by: Audiegrl

Award-winning actress and producer Sandra Bullock said Friday she donated $1 million toward Haitian earthquake relief.

Bullock’s contribution went to Doctors Without Borders’ emergency operations in Port-Au-Prince, where three of the organization’s existing facilities were damaged by the magnitude 7.0 quake.

I wanted to ensure that my donation would be used immediately to meet the needs of the Haitian people affected by this catastrophic event,” said Bullock in a statement.

I urge all of my friends and fans around the world to join me collectively to match my contribution or give in any way you can,” she said. “We must act now.”

Earlier Friday, Not On Our Watch, an advocacy and grantmaking group founded by George Clooney, Brad Pitt and others, donated $1 million to Partners in Health. Madonna also announced she gave $250,000 toward the effort as celebrity aid continued to pour into the devastated country.

The international Red Cross estimates 45,000 to 50,000 people were killed in the earthquake, which devastated the Caribbean nation on Tuesday.


Help for Haiti~Learn What You Can Do

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15 Scientific and Technical Achievements to be Honored with Academy Awards®

Posted by: Audiegrl

The Academy of Motion Picture Arts and Sciences® today announced that 15 scientific and technical achievements represented by 46 individual award recipients will be honored at its annual Scientific and Technical Awards Presentation at The Beverly Wilshire on Saturday, February 20, 2010.

Unlike other Academy Awards to be presented this year, achievements receiving Scientific and Technical Awards need not have been developed and introduced during 2009. Rather, the achievements must demonstrate a proven record of contributing significant value to the process of making motion pictures.

The Academy Awards for scientific and technical achievements are:


Technical Achievement Award (Academy Certificate)

Technical Achievement Award

Technical Achievement Award

To Mark Wolforth and Tony Sedivy for their contributions to the development of the Truelight real-time 3D look-up table hardware system. Through the use of color management software and hardware, this complete system enables accurate color presentation in the digital intermediate preview process. The Truelight system is widely utilized in digital intermediate production environments around the world.

To Dr. Klaus Anderle, Christian Baeker and Frank Billasch for their contributions to the LUTher 3D look-up table hardware device and color management software. The LUTher hardware was the first color look-up table processor to be widely adopted by the pioneering digital intermediate facilities in the industry. This innovation allowed the facilities to analyze projected film output and build 3D look-up tables in order to emulate print film, enabling accurate color presentation.

To Steve Sullivan, Kevin Wooley, Brett Allen and Colin Davidson for the development of the Imocap on-set performance capture system. Developed at Industrial Light & Magic and consisting of custom hardware and software, Imocap is an innovative system that successfully addresses the need for on-set, low-impact performance capture.

To Hayden Landis, Ken McGaugh and Hilmar Koch for advancing the technique of ambient occlusion rendering. Ambient occlusion has enabled a new level of realism in synthesized imagery and has become a standard tool for computer graphics lighting in motion pictures.

To Bjorn Heden for the design and mechanical engineering of the silent, two-stage planetary friction drive Heden Lens Motors. Solving a series of problems with one integrated mechanism, this device had an immediate and significant impact on the motion picture industry.


Scientific and Engineering Award (Academy Plaque)

Scientific & Engineering Award

To Per Christensen and Michael Bunnell for the development of point-based rendering for indirect illumination and ambient occlusion. Much faster than previous ray-traced methods, this computer graphics technique has enabled color bleeding effects and realistic shadows for complex scenes in motion pictures.

To Dr. Richard Kirk for the overall design and development of the Truelight real-time 3D look-up table hardware device and color management software. This complete system enables accurate color presentation in the digital intermediate preview process. The Truelight system is widely utilized in digital intermediate production environments around the world.

To Volker Massmann, Markus Hasenzahl, Dr. Klaus Anderle and Andreas Loew for the development of the Spirit 4K/2K film scanning system as used in the digital intermediate process for motion pictures. The Spirit 4K/2K has distinguished itself by incorporating a continuous-motion transport mechanism enabling full-range, high-resolution scanning at much higher frame rates than non-continuous transport scanners.

To Michael Cieslinski, Dr. Reimar Lenz and Bernd Brauner for the development of the ARRISCAN film scanner, enabling high-resolution, high-dynamic range, pin-registered film scanning for use in the digital intermediate process. The ARRISCAN film scanner utilizes a specially designed CMOS array sensor mounted on a micro-positioning platform and a custom LED light source. Capture of the film’s full dynamic range at various scan resolutions is implemented through sub-pixel offsets of the sensor along with multiple exposures of each frame.

To Wolfgang Lempp, Theo Brown, Tony Sedivy and Dr. John Quartel for the development of the Northlight film scanner, which enables high-resolution, pin-registered scanning in the motion picture digital intermediate process. Developed for the digital intermediate and motion picture visual effects markets, the Northlight scanner was designed with a 6K CCD sensor, making it unique in its ability to produce high-resolution scans of 35mm, 8-perf film frames.

To Steve Chapman, Martin Tlaskal, Darrin Smart and James Logie for their contributions to the development of the Baselight color correction system, which enables real-time digital manipulation of motion picture imagery during the digital intermediate process. Baselight was one of the first digital color correction systems to enter the digital intermediate market and has seen wide acceptance in the motion picture industry.

To Mark Jaszberenyi, Gyula Priskin and Tamas Perlaki for their contributions to the development of the Lustre color correction system, which enables real-time digital manipulation of motion picture imagery during the digital intermediate process. Lustre is a software solution that enables non-linear, real-time digital color grading across an entire feature film, emulating the photochemical color-timing process.

To Brad Walker, D. Scott Dewald, Bill Werner and Greg Pettitt for their contributions furthering the design and refinement of the Texas Instruments DLP Projector, achieving a level of performance that enabled color-accurate digital intermediate previews of motion pictures. Working in conjunction with the film industry, Texas Instruments created a high-resolution, color-accurate, high-quality digital intermediate projection system that could closely emulate film-based projection in a theatrical environment.

To FUJIFILM Corporation, Ryoji Nishimura, Masaaki Miki and Youichi Hosoya for the design and development of Fujicolor ETERNA-RDI digital intermediate film, which was designed exclusively to reproduce motion picture digital masters. The Fujicolor ETERNA-RDI Type 8511/4511 digital intermediate film has thinner emulsion layers with extremely efficient couplers made possible by Super-Nano Cubic Grain Technology. This invention allows improved color sensitivity with the ability to absorb scattered light, providing extremely sharp images. The ETERNA-RDI emulsion technology also achieves less color cross-talk for exacting reproduction. Its expanded latitude and linearity provides superior highlights and shadows in a film stock with exceptional latent image stability.

To Paul Debevec, Tim Hawkins, John Monos and Mark Sagar for the design and engineering of the Light Stage capture devices and the image-based facial rendering system developed for character relighting in motion pictures. The combination of these systems, with their ability to capture high fidelity reflectance data of human subjects, allows for the creation of photorealistic digital faces as they would appear in any lighting condition.

Academy Awards for outstanding film achievements of 2009 will be presented on Sunday, March 7, 2010, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

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Brad Pitt Honored for Humanitarian Work in New Orleans

Posted by TheLCster

Actor Brad Pitt speaks during a panel discussion about rebuilding New Orleans, at the Clinton Global Initiative, in New York, September 24, 2009. About 1,200 participants including heads of state, business leaders, humanitarians and celebrities will attend the fifth annual Clinton Global Initiative (CGI) which started on Tuesday.

Actor Brad Pitt speaks during a panel discussion about rebuilding New Orleans, at the Clinton Global Initiative, in New York, September 24, 2009. About 1,200 participants including heads of state, business leaders, humanitarians and celebrities will attend the fifth annual Clinton Global Initiative (CGI) which started on Tuesday.


Reuters Television—Actor Brad Pitt was honored on Thursday for his humanitarian work in helping rebuild hurricane-ravaged New Orleans at former U.S. President Bill Clinton’s philanthropic summit, the Clinton Global Initiative.

Pitt was presented with a plaque from the U.S. Green Building Council which said the actor and his foundation “Make It Right” had created the “largest and greenest single-family community in the world.”

“‘Make It Right’ has exceeded my expectations,” said Pitt who set up the foundation in 2007.

“Our criteria from the beginning were at odds, to say the least. We demanded that these homes be sustainable, that they have aesthetic qualities … that they be storm resilient and take safety in mind of the families who live there and that they would be affordable.”

“Make It Right” has created 13 homes in the New Orleans area the 9th Ward, which was devastated by Hurricane Katrina in 2005.

Each house is unique and has eco-friendly features like green roofs, which can cut heating and cooling costs dramatically.

Pitt said the biggest challenge was keeping homes affordable.

Continued@Reuters_media_us

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Dylan Ratigan Yells At Republican Strategist Brad Blakeman

Posted by Audiegrl

Boy…MSNBC’s Dylan Ratigan must have got a new bullcrap meter installed today. First he yelled at Orly Taitz, and now he’s set straight republican strategist, Brad Blakeman.

Get some popcorn and enjoy!

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