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10 Semi-Finalists Named in Academy/MTVU “Oscar® Correspondent Contest

Posted by: Audiegrl

The Academy of Motion Picture Arts and Sciences and mtvU, MTV’s 24-hour college network, announced ten teams of college journalists as semifinalists in the 2010 Oscar Correspondent Contest, each vying for a coveted position on the red carpet at the 82nd Academy Awards in Hollywood. Video entries from the semifinalist teams are posted online at www.oscars.mtvU.com, where students and other viewers can vote for their favorite college journalists until February 10 at 2 p.m. PT.

The semifinalists are (listed in alphabetical order by university):

Chapman University, Orange, CA – Rachel Berry (anchor) and Christian Hartnett (videographer)
Watch and Vote

Emerson College, Boston, MA – Terry Stackhouse (anchor) and Zach Cusson (videographer)
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Emerson College – Dean Dimitruk (anchor) and Tyler Weinberger (videographer)
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Florida A&M University, Tallahassee – Brandon McCaskill (anchor) and Kiarra Hart (videographer)
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Middle Tennessee State University, Murfreesboro – Nicki DeCroce (anchor) and Tony Holt (videographer)
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Rider University, Lawrenceville, NJ – Kelly Dixon (anchor) and Gina Grosso (videographer)
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Syracuse University, Syracuse, NY – Eeshé White (anchor) and Patrick House (videographer)
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Texas State University-San Marcos – Amanda Dugan (anchor) and Colby Howell (videographer)
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University of South Dakota, Vermillion – Angie Lacompte (anchor) and Travis Berg (videographer)
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University of Texas at Austin – Loren Grush (anchor) and Xorje Olivares (videographer)
Watch and Vote

On February 12, the three teams with the most online votes, and as agreed upon by the Academy and mtvU, will advance to the final round of competition. From February 16 to March 2, fans can continue to cast their votes for the teams of finalists as they compete for grand prize. All three teams will be flown to Los Angeles to cover Academy Awards pre-events, including the Animated Feature Symposium, Foreign Language Film Award media op, the Makeup Artist and Hairstylist Symposium and the Governors Ball preview.


The grand prize-winning team will be revealed on Saturday, March 6, at an Academy press conference. The anchor and videographer will be awarded a spot on the red carpet for the 82nd Academy Awards arrivals, as well as credentials for access to backstage press rooms. The winning team’s coverage will be aired on MTV News and mtvU. The two finalist teams will receive bleacher seats along the red carpet and admission to an Oscar viewing party.

The ten semifinalist teams were selected by the Academy and mtvU from videos submitted for the competition. The entries were judged based on criteria including originality, creativity, and how compelling the video was overall. The competition was open to teams of two college students, one anchor and one videographer, residing in the United States.

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For a complete list of rules and regulations for the Oscar Correspondent Contest, visit www.oscars.mtvu.com

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15 Scientific and Technical Achievements to be Honored with Academy Awards®

Posted by: Audiegrl

The Academy of Motion Picture Arts and Sciences® today announced that 15 scientific and technical achievements represented by 46 individual award recipients will be honored at its annual Scientific and Technical Awards Presentation at The Beverly Wilshire on Saturday, February 20, 2010.

Unlike other Academy Awards to be presented this year, achievements receiving Scientific and Technical Awards need not have been developed and introduced during 2009. Rather, the achievements must demonstrate a proven record of contributing significant value to the process of making motion pictures.

The Academy Awards for scientific and technical achievements are:


Technical Achievement Award (Academy Certificate)

Technical Achievement Award

Technical Achievement Award

To Mark Wolforth and Tony Sedivy for their contributions to the development of the Truelight real-time 3D look-up table hardware system. Through the use of color management software and hardware, this complete system enables accurate color presentation in the digital intermediate preview process. The Truelight system is widely utilized in digital intermediate production environments around the world.

To Dr. Klaus Anderle, Christian Baeker and Frank Billasch for their contributions to the LUTher 3D look-up table hardware device and color management software. The LUTher hardware was the first color look-up table processor to be widely adopted by the pioneering digital intermediate facilities in the industry. This innovation allowed the facilities to analyze projected film output and build 3D look-up tables in order to emulate print film, enabling accurate color presentation.

To Steve Sullivan, Kevin Wooley, Brett Allen and Colin Davidson for the development of the Imocap on-set performance capture system. Developed at Industrial Light & Magic and consisting of custom hardware and software, Imocap is an innovative system that successfully addresses the need for on-set, low-impact performance capture.

To Hayden Landis, Ken McGaugh and Hilmar Koch for advancing the technique of ambient occlusion rendering. Ambient occlusion has enabled a new level of realism in synthesized imagery and has become a standard tool for computer graphics lighting in motion pictures.

To Bjorn Heden for the design and mechanical engineering of the silent, two-stage planetary friction drive Heden Lens Motors. Solving a series of problems with one integrated mechanism, this device had an immediate and significant impact on the motion picture industry.


Scientific and Engineering Award (Academy Plaque)

Scientific & Engineering Award

To Per Christensen and Michael Bunnell for the development of point-based rendering for indirect illumination and ambient occlusion. Much faster than previous ray-traced methods, this computer graphics technique has enabled color bleeding effects and realistic shadows for complex scenes in motion pictures.

To Dr. Richard Kirk for the overall design and development of the Truelight real-time 3D look-up table hardware device and color management software. This complete system enables accurate color presentation in the digital intermediate preview process. The Truelight system is widely utilized in digital intermediate production environments around the world.

To Volker Massmann, Markus Hasenzahl, Dr. Klaus Anderle and Andreas Loew for the development of the Spirit 4K/2K film scanning system as used in the digital intermediate process for motion pictures. The Spirit 4K/2K has distinguished itself by incorporating a continuous-motion transport mechanism enabling full-range, high-resolution scanning at much higher frame rates than non-continuous transport scanners.

To Michael Cieslinski, Dr. Reimar Lenz and Bernd Brauner for the development of the ARRISCAN film scanner, enabling high-resolution, high-dynamic range, pin-registered film scanning for use in the digital intermediate process. The ARRISCAN film scanner utilizes a specially designed CMOS array sensor mounted on a micro-positioning platform and a custom LED light source. Capture of the film’s full dynamic range at various scan resolutions is implemented through sub-pixel offsets of the sensor along with multiple exposures of each frame.

To Wolfgang Lempp, Theo Brown, Tony Sedivy and Dr. John Quartel for the development of the Northlight film scanner, which enables high-resolution, pin-registered scanning in the motion picture digital intermediate process. Developed for the digital intermediate and motion picture visual effects markets, the Northlight scanner was designed with a 6K CCD sensor, making it unique in its ability to produce high-resolution scans of 35mm, 8-perf film frames.

To Steve Chapman, Martin Tlaskal, Darrin Smart and James Logie for their contributions to the development of the Baselight color correction system, which enables real-time digital manipulation of motion picture imagery during the digital intermediate process. Baselight was one of the first digital color correction systems to enter the digital intermediate market and has seen wide acceptance in the motion picture industry.

To Mark Jaszberenyi, Gyula Priskin and Tamas Perlaki for their contributions to the development of the Lustre color correction system, which enables real-time digital manipulation of motion picture imagery during the digital intermediate process. Lustre is a software solution that enables non-linear, real-time digital color grading across an entire feature film, emulating the photochemical color-timing process.

To Brad Walker, D. Scott Dewald, Bill Werner and Greg Pettitt for their contributions furthering the design and refinement of the Texas Instruments DLP Projector, achieving a level of performance that enabled color-accurate digital intermediate previews of motion pictures. Working in conjunction with the film industry, Texas Instruments created a high-resolution, color-accurate, high-quality digital intermediate projection system that could closely emulate film-based projection in a theatrical environment.

To FUJIFILM Corporation, Ryoji Nishimura, Masaaki Miki and Youichi Hosoya for the design and development of Fujicolor ETERNA-RDI digital intermediate film, which was designed exclusively to reproduce motion picture digital masters. The Fujicolor ETERNA-RDI Type 8511/4511 digital intermediate film has thinner emulsion layers with extremely efficient couplers made possible by Super-Nano Cubic Grain Technology. This invention allows improved color sensitivity with the ability to absorb scattered light, providing extremely sharp images. The ETERNA-RDI emulsion technology also achieves less color cross-talk for exacting reproduction. Its expanded latitude and linearity provides superior highlights and shadows in a film stock with exceptional latent image stability.

To Paul Debevec, Tim Hawkins, John Monos and Mark Sagar for the design and engineering of the Light Stage capture devices and the image-based facial rendering system developed for character relighting in motion pictures. The combination of these systems, with their ability to capture high fidelity reflectance data of human subjects, allows for the creation of photorealistic digital faces as they would appear in any lighting condition.

Academy Awards for outstanding film achievements of 2009 will be presented on Sunday, March 7, 2010, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

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