Tag Archives: Editing

82nd Annual Academy Awards ~ Oscars® ~ Best Motion Picture

Ensemble post by: Audiegrl and Geot

Avatar

Click here for complete coverage of Avatar, that includes: nominations, trailers, cast, reviews, production notes, and more…

The Blind Side

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An Education
An Education

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The Hurt Locker

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Up in the Air
Up in the Air

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Up
Up

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A Serious Man
A Serious Man

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Inglourious Basterds
Inglourious Basterds

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District 9
District 9

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Precious: Based on the Novel ‘Push’ by Sapphire
Precious: Based on the Novel ‘Push’ by Sapphire

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Filed under 82nd Academy Awards, Best Picture, Books, Culture, Entertainment, Hollywood, Movies, Pop Culture, Uncategorized, US, Video/YouTube, World

Academy Award® Nominated ~ Achievement in Film Editing

Ensemble post by: Audiegrl and Geot

Avatar

Click here for complete coverage of Avatar, that includes: nominations, trailers, cast, reviews, production notes, and more…

The Hurt Locker

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Inglourious Basterds
Inglourious Basterds

Click here for complete coverage of Inglourious Basterds, that includes: nominations, trailers, cast, reviews, production notes, and more…

District 9
District 9

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Precious: Based on the Novel ‘Push’ by Sapphire
Precious: Based on the Novel ‘Push’ by Sapphire

Click here for complete coverage of Precious: Based on the Novel ‘Push’ by Sapphire, that includes: nominations, trailers, cast, reviews, production notes, and more…

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Filed under 82nd Academy Awards, Best Film Editing, Culture, Entertainment, Hollywood, Movies, Pop Culture, US, Video/YouTube, World

Academy Award® Nominated ~ Achievement in Sound Editing

Ensemble post by: Audiegrl and Geot

Avatar

Click here for complete coverage of Avatar, that includes: nominations, trailers, cast, reviews, production notes, and more…

The Hurt Locker

Click here for complete coverage of The Hurt Locker, that includes: nominations, trailers, cast, reviews, production notes, and more…

Inglourious Basterds
Inglourious Basterds

Click here for complete coverage of Inglourious Basterds, that includes: nominations, trailers, cast, reviews, production notes, and more…

Star Trek

Click here for complete coverage of Star Trek, that includes: nominations, trailers, cast, reviews, production notes, and more…

Up
Up

Click here for complete coverage of Up, that includes: nominations, trailers, cast, reviews, production notes, and more…

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Filed under 82nd Academy Awards, Best Sound Editing, Culture, Entertainment, Hollywood, Movies, Pop Culture, US, Video/YouTube, World

Academy Award® Nomination: District 9

Posted by: Audiegrl, Geot, Bluedog89, The LCster and Buellboy

District 9
Over twenty years ago, aliens made first contact with Earth. Humans waited for the hostile attack, or the giant advances in technology. Neither came. Instead, the aliens were refugees from their home world. The creatures were set up in a makeshift home in South Africa’s District 9 as the world’s nations argued over what to do with them.

Now, patience over the alien situation has run out. Control over the aliens has been contracted out to Multi-National United (MNU), a private company uninterested in the aliens’ welfare. MNU will receive tremendous profits if they can make the aliens’ powerful weaponry work. So far, they have failed; activation of the weaponry requires alien DNA.

The tension between the aliens and the humans comes to a head when MNU begins evicting the non-humans from District 9, with MNU field agents responsible for moving them to a new camp. One of the MNU field operatives, Wikus van der Merwe, contracts an alien virus that begins changing his DNA. Wikus quickly becomes the most hunted man in the world, as well as the most valuable – he is the key to unlocking the secrets of alien technology. Ostracized and friendless, there is only one place left for him to hide: District 9.

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The cast includes: Sharlto Copley, David James, Jason Cope, and Vanessa Haywood

44D’s Reviews

TheLCster
I loved this futuristic look at a society’s reaction to new comers who may need aid. This movie can be seen in two ways in my opinion: a sci-fi movie about aliens or a sci-fi satire about our own society’s reaction to those different from “us.” Take your pick!

Audiegrl
“I thoroughly enjoyed this film. It starts a little slow, but after the first 35 minutes, you’ll be rooting for the aliens. 🙂 The thing that really impressed me, was the filmmaker’s ability to combine documentary style and cinematic style, in a way that looks seamless. Other directors have tried to do it before, but this one really made it work and look real.

There is also a subtle political statement through-out the film, although the director and writers don’t admit that on the DVD extras. But to have it set in post-apartheid Johannesburg, can’t be just a coincidence.”

Did You Know?

All the shacks in District 9 were actual shacks that exists in a section of Johannesburg which were to be evacuated and the residents moved to better government housing, paralleling the events in the film. Also paralleling, the residents had not actually been moved out before filming began. The only shack that was created solely for filming was Christopher Johnson’s shack.

The film was inspired by director Neill Blomkamp’s childhood in South Africa during apartheid.

Star Sharlto Copley had not acted before and had no intention of pursuing an acting career. He stumbled into the leading role as Neill Blomkamp placed him on-camera during the short film.

Sharlto Copley ad-libbed all his lines during the “documentary” sequences.

Many real tribal languages of Southern Africa employ clicking sounds (much like the ones the filmmakers included in the alien language) in their vocabularies, including Zulu (the most widely spoken indigenous language of South Africa) and Xhosa, another frequently spoken South African language (even the name “Xhosa” has a click in it).

The language used by the aliens (clicking sounds) was created by rubbing a pumpkin.

Four Nominations

Best Motion Picture
Best in Adapted Screenplay
Best Visual Effects
Best in Film Editing

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Academy Award® Nominated: Star Trek

Ensemble post by: Audiegrl, Geot, BuellBoy, Ogenec and TheLCster


On the day of James Kirk’s birth, his father dies on his ship in a last stand against a mysterious alien vessel. He was looking for Ambassador Spock, who is a child on Vulcan at that time, disdained by his neighbors for his half-human nature. Twenty years later, Kirk has grown into a young troublemaker inspired by Capt. Christopher Pike to fulfill his potential in Starfleet even as he annoys his instructors like young Lt. Spock. Suddenly, there is an emergency at Vulcan and the newly commissioned USS Enterprise is crewed with promising cadets like Nyota Uhura, Hikaru Sulu, Pavel Chekov and even Kirk himself thanks to Leonard McCoy’s medical trickery. Together, this crew will have an adventure in the final frontier where the old legend is altered forever even as the new version of it is just beginning.

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Credits

Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . J.J. Abrams
Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . J.J. Abrams
Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Damon Lindelof
Co-Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . David Witz
Associate Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . David Baronoff
Executive Producers . Jeffrey Chernov, Alex Kurtzman, Bryan Burk, and Roberto Orci

The cast includes: Chris Pine, Zachary Quinto, Leonard Nimoy, Eric Bana, Bruce Greenwood, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Ben cross, Winona Ryder, Chris Hemsworkth, Jennifer Morrison, and Rachel Nichols

44D’s Reviews

TheLCster
As an aspiring nerd (no not geek, nerd, yes…there is a difference) I have been trying to break into the world of Star Trek in the traditional sense…watching it episode by episode, series by series. I take sci-fi very seriously! lol This new movie although entertaining feels like a ‘watered-down for the masses’ version of a topic that I know people spend their lifetime’s trying to perfect. Although I don’t speak Klingon, I respect the franchise and was disappointed at the simplistic (often trading true character growth and dynamic for witty one-liners) nature of some of the characters. I am glad, however, that at least a new generation of viewers will be introduced to the characters. Hopefully those who enjoyed the movie will research the series in the proper manner.

Ogenec
“No one does geek-pop chic better than J.J. Abrams. I never watched Alias (dunno why), but I am hooked — hooked! — on Lost and Fringe. Unlike many TV auteurs, J.J.’s vision adapts quite well to the big screen too: see, for example, MI:III, the best movie of the trilogy.

So I was really excited when I heard that J.J. would be doing the reboot of Star Trek. I knew it’d be edgy, yet fun. I knew it would mix in enough of the mythology for the hardcore Trekkies, but also introduce some fresh elements. And I knew there would be a very good mix of bombastic action sequences and intelligent dialogue. I knew all of that. And yet, I was completely blown away by the movie. The dialogue was even better than I’d hoped. The interplay between the characters (like Bones and Kirk, or Scotty and Kirk, and most importantly Kirk and Spock themselves) was just phenomenal. The action was totally kick-ass. In fact, I’m about to unleash my id by watching it again tonight with the subwoofers set to “Stun.” But, above all else, two things really endear this movie to me as a total keeper. The first is the subversion of the operating premise of the Kirk-Spock relationship, where Kirk is the impulsive one, and Spock is all logic and rationality. In the movie, Kirk proves himself to be quite the thinking man, and Spock gets very emotional. Man, I ate it up. You will too, on the off-chance that you haven’t seen this excellent movie yet.

The second is the casting of Chris Pine as Kirk. Sometimes you hear the casting choices and you go “Hell Naw!!! What were they thinking?!?!?” Most times, your concerns are well-founded. Think George Clooney as Batman — ’nuff said. But sometimes, you’re just totally wrong, and you have to admit it. So I admit it — Chris Pine is such an inspired choice for Kirk that he seems borne for the role, just as much as Daniel Craig is, to me, now the definitive James Bond. All I knew of Chris Pine was his role as a homicidal maniac in Smoking Aces. Fantastic role, and he’s obviously quite the actor. But I couldn’t see how THAT guy could pull off a Captain Kirk. Well, I’m extremely happy J.J. Abrams doesn’t listen to me. And, by the way, Eric Bana also is fantastic as Spock’s Romulan nemesis. In short, fantastic movie. Can’t wait for the sequel.”

Audiegrl
“Loved it. J.J. Abrams did a outstanding job of re-energizing the Star Trek franchise. With 21st century special effects, he really updated, the normally slow-moving action viewers were used to. Spock and Lt. Uhura hooking up? Brilliant…we get to see what made Spock who he is, and his ongoing struggle to determine if he was more human or vulcan. It was also good to learn why Doctor McCoy aka Bones, earned his nickname, saying…“My wife took everything in the divorce, all she left me was my bones.” Abrams successfully introduced the series to a new generation of Trekkies, somewhere out there, Gene Roddenberry is smiling 🙂

Did You Know?

Randy Pausch, a Carnegie-Mellon Computer Science professor (and “Star Trek” fan) who gained widespread fame as the author of a “Last Lecture” in which he discussed living the life of his dreams in the face of terminal pancreatic cancer, was invited by J.J. Abrams to appear as an extra in this film (he is the Kelvin officer who says “Captain, we have visual“). Pausch wrote in his blog about the experience, “I got a custom-made Star Trek uniform and my own station on the bridge, where I had lots of buttons and controls. I even got a LINE!!!!” Pausch died on July 25, 2008; his paycheck of $217.06 from working on the film was donated to charity.

While most Trekkies will have known this detail for decades, this is the first time that Uhura has been given a first name on screen: Nyota. Gene Roddenberry never came up with a first name for her, so many thought this meant she did not have one, although in literature, Uhura is often referred to as Nyota by her comrades, and she is also referred to as Nyota Uhura in the DC Comics publication “Who’s Who in Star Trek“. There are several nods to this history in the movie: first, when Kirk first meets (and hits on) Uhura in a bar and tells her, “if you don’t tell me your name, I’m gonna have to make one up,” and then when she refuses to tell Kirk her first name throughout the film.

Majel Barrett, the wife of “Star Trek” creator Gene Roddenberry, has a role in this film as the voice of the Enterprise computer. She completed her voice-over work two weeks before her death on December 18, 2008.

The Korean-American actor John Cho was initially uncertain about being cast as the Japanese-American officer Hikaru Sulu, but George Takei, who played Sulu in “Star Trek” (1966), encouraged him to take the role as Sulu was a character who represented all of Asia.

Four Nominations

Best Visual Effects
Best Sound Mixing
Best Sound Editing
Best Makeup

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Academy Award® Nominated: Precious: Based on the Novel ‘Push’ by Sapphire

Posted by: Audiegrl, Geot, Bluedog89, and BuellBoy

Precious: Based on the Novel ‘Push’ by Sapphire
Lee Daniels’ Precious is a vibrant, honest and resoundingly hopeful film about the human capacity to grow and overcome.

Set in Harlem in 1987, it is the story of Claireece “Precious” Jones (Gabourey Sidibe), a sixteen-year-old African-American girl born into a life no one would want. She’s pregnant for the second time by her absent father; at home, she must wait hand and foot on her mother (Mo’Nique), a poisonously angry woman who abuses her emotionally and physically. School is a place of chaos, and Precious has reached the ninth grade with good marks and an awful secret: she can neither read nor write.

Precious may sometimes be down, but she is never out. Beneath her impassive expression is a watchful, curious young woman with an inchoate but unshakeable sense that other possibilities exist for her. Threatened with expulsion, Precious is offered the chance to transfer to an alternative school, Each One/Teach One. Precious doesn’t know the meaning of “alternative,” but her instincts tell her this is the chance she has been waiting for. In the literacy workshop taught by the patient yet firm Ms. Rain (Paula Patton), Precious begins a journey that will lead her from darkness, pain and powerlessness to light, love and self-determination.

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Credits

Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lee Daniels
Screenwriter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Geoffrey Fletcher
Producers . . . . . . . . . . . . . . . . . . . . . . . . . Sarah Siegel-Magness and Gary Magness
Co-Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mark G. Mathis
Executive Producers . . . . . . . . . . . . . . . . . . . . . . . . Oprah Winfrey and Tyler Perry
Executive Producers . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lisa Cortés and Tom Heller
Co-Executive Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Simone Sheffield
Associate Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Andrew Sforzini
Associate Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Asger Hussain
Director of Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Andrew Dunn, BSC
Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Klotz
Costume Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marina Draghici
Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mario Grigorov
Music Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lynn Fainchtein
Production Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Roshelle Berliner

The cast includes: Mo’Nique, Gabourey Sidibe, Paula Patton, Mariah Carey, Sherri Shepherd, and Lenny Kravitz, Stephanie Andujar, Chyna Lane, Amina Robinson, Xosha Roquemore, Angelic Zambrana, Aunt Dot, Nealla Gordon, Grace Hightower, Barret Isaiah Mindell, Kimberly Russell, Bill Sage, and Susan Taylor

44D’s Reviews

Audiegrl
First let me say, this was not an easy movie to watch. It’s a very intense film that deals with poverty, child abuse (mental, physical and sexual), and a broken education system. It hits you at a gut level and it becomes painfully obvious that the system has failed Claireece Precious Jones. From that point on, you can’t stop watching it, and rooting for her to overcome all of these obstacles. The performance by Gabourey Sidibe was incredibly powerful for a virtual unknown, and it’s easy to understand why she has decided to pursue a acting career. As for Mo’Nique’s performance as the abusive mother, lets just say she kept it so real…she scared me. In my book, both of these ladies deserve the awards they’ve been given so far, and the nominations for Best Actress and Best Supporting Actress from the Academy.

Did You Know?

Over 400 girls were interviewed from across the country for the part of Precious. Gabourey Sidibe was cast a mere six weeks before the start of shooting after being forced to the audition by friends.

Helen Mirren was originally cast as Mrs. Weiss, but dropped out. Mariah Carey was chosen as a replacement by director Lee Daniels only two days before the film went into production. Daniels has stated that he chose Carey based on her performance in Tennessee (2008), which he produced.

Oprah Winfrey said that when she saw the movie, it “split [her] open“, and that she immediately called Tyler Perry who gave her Lee Daniels’ number, so that she could call him and tell him she would do anything to promote the film. When she called him, he was onstage getting an award at the Sundance Film Festival. Oprah later stated that this film was why “we make movies“, and that she thought people might not “enjoy“, but would “appreciate this experience“.

This movie holds the record for averaging US$100,000 per screen in fewer than 50 US theaters.

Six Nominations

Best Motion Picture
Best Director
Best Actress~Gabourey Sidibe
Best Supporting Actress~Mo’Nique
Best in Adapted Screenplay
Best in Film Editing

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Filed under 82nd Academy Awards, African-Americans, Best Actress, Best Adap Screenplay, Best Director, Best Film Editing, Best Picture, Best Sup Actress, Books, Child Abuse/Molestation, Childhood Obesity, Children, Culture, Education, Entertainment, Hollywood, Pop Culture, Students, Teachers, Uncategorized, US, Young Women

Academy Award® Nominated: Inglourious Basterds

Posted by: Audiegrl, Geot, Bluedog89, and BuellBoy

Inglourious Basterds
In the first year of the German occupation of France, Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris where she forges a new identity as the owner and operator of a cinema.

Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish American soldiers to perform swift, shocking acts of retribution. Later known to their enemy as “the basterds,” Raine’s squad joins German actress and undercover agent Bridget von Hammersmark (Diane Kruger) on a mission to take down the leaders of the Third Reich. Fates converge under a cinema marquis, where Shosanna is poised to carry out a revenge plan of her own. Employing pulp and propaganda in equal measure, Quentin Tarantino’s INGLOURIOUS BASTERDS weaves together the infamous, oppressed, real and larger-than-life stories of WWII.

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Credits

Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Quentin Tarantino
Writer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Quentin Tarantino
Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lawrence Bender
Executive Producers . . . . . . . . . . . . . . . . . . . . . . Erica Steinberg and Lloyd Phillips
Executive Producers . . . . . . . . . . . . . . . . . . . Bob Weinstein and Harvey Weinstein
Co-Producers . . . . . Henning Molfenter, Carl L. Woebcken, and Christoph Fisser
Associate Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pilar Savone
Special Makeup Effects . . . . . . . . . . . . . . . . Gregory Nicotero and Howard Berger
Director of Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . Robert Richardson, ASC
Production Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . David Wasco
Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sally Menke, A.C.E.
Costume Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anna B. Sheppard
Visual Effects Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Dykstra

The cast includes: Brad Pitt, Mélanie Laurent, Christoph Waltz, Eli Roth, Michael Fassbender, Diane Kruger, Daniel Brühl, Til Schweiger, Gedeon Burkhard, Jacky Ido, B.J. Novak, Omar Doom, August Diehl, Sylvester Groth, Martin Wuttke, Mike Myers, Julie Dreyfus, Samm Levine, Paul Rust, and Michael Bacall

Reviews

IMDB member from England
Inglorious Basterds makes no apologies, asks for no forgiveness, it’s a no holds barred assault on the senses. Tarantino doesn’t care if he offends, if he steps all over stereotypes and clichés, this is film making at it purest. It’s great to see a film maker whose work clearly isn’t interfeared with by the powers that be. Tarantino is a master of effortlessly cranking up immense tension and suddenly mixing it with laugh out loud moments; you’re not sure if you should be looking away in disgust or rolling around laughing, either way it’s a roller coaster and one not to be missed! It’s not for everyone and I’m unsure how Germans will take the film, certainly if you’re not a fan of Tarantino’s style, this may be a little hard to swallow, but never-the-less, it is a film which simply has to be seen. No self respecting film fan should miss this. And the performance of Christoph Waltz… Oscar don’t you dare ignore him!!”

Did You Know?

Quentin Tarantino intended for this to be as much a war film as a spaghetti western, and considered titling the movie “Once Upon a Time in Nazi-Occupied France“. He gave that title instead to the first chapter of the film.

When asked about the misspelled title, director Quentin Tarantino gave the following answer: “Here’s the thing. I’m never going to explain that. You do an artistic flourish like that, and to explain it would just take the piss out of it and invalidate the whole stroke in the first place.”

Eli Roth’s character, Sgt. Donnie Donowitz, is part of the Tarantino-verse, sharing the last name of the film producer character, Lee Donowitz, in the Tarantino-written True Romance (1993). The Lee Donowitz character also produced a war film “Comin’ Home in a Body Bag“.

The name of Brad Pitt’s character, Lt. Aldo Raine, is an homage to both the actor and WWII veteran Aldo Ray and a character from Rolling Thunder (1977), Charles Rane (played by William Devane). One of the casting directors, Johanna Ray, is Aldo Ray’s ex-wife.

Eight Nominations

Best Motion Picture
Best Supporting Actor ~ Christoph Waltz
Best Director
Best Original Screenplay
Best Cinematography
Best in Film Editing
Best Sound Mixing
Best Sound Editing

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Filed under 82nd Academy Awards, Best Cinematography, Best Director, Best Film Editing, Best Orig Screenplay, Best Picture, Best Sound Editing, Best Sound Mixing, Best Sup Actor, Culture, Entertainment, Germany, Hollywood, Pop Culture, Uncategorized, United States, US, World