Category Archives: Best Sound Mixing

Watch 82nd Academy Awards Live Chat on 44-D’s

The 82nd Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences, will honor the best films of 2009 and will take place March 7, 2010, at the Kodak Theatre in Hollywood, Los Angeles, California and will be televised in the United States on ABC. Actors Alec Baldwin and Steve Martin will serve as co-hosts for the show.

44-D’rs will be live chatting the ceremony as well. Please visit www.chatroll.com to set up your chat account (this only takes about 10 seconds), and then come back here to join us in all the fun!

If you didn’t already download/print your Oscars ballot, please click here.

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Wishing him the best birthday ever!!
Our fellow founder and friend, GeoT!
Please have a virtual slice 🙂

82nd Academy Awards and the winners are…

Best Motion Picture

Best Actor

Best Supporting Actor

Best Actress

Best Supporting Actress

Best Director

Best Documentary Feature

Best Documentary Short

Best Animated Feature

Best Foreign Language Film

Best Original Screenplay

Best Adapted Screenplay

Best in Cinematography

Best in Art Direction

Best Animated Short

Best Live Action Short

Best in Visual Effects

Best in Costume Design

Best in Film Editing

Best In Sound Mixing

Best in Sound Editing

Best in Music (Original Score)

Best in Music (Original Song)

Best in Makeup

44-D’s Blogs the Oscars Credits

Director/Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Audiegrl
Graphic Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GeoT
Web Development and Layout . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Audiegrl
Research and Writing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BlueDog89
Videology . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Buellboy

Reviewers include: Betsm, Ogenec, TheLCster, Geot, Audiegrl, WillieBeyond, and more…

Many thanks to all who made the 44-D’s Blogs the Oscars project possible 🙂

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Filed under 82nd Academy Awards, Best Actor, Best Actress, Best Adap Screenplay, Best Animated Feature, Best Animated Short, Best Animated Short, Best Art Direction, Best Cinematography, Best Costume Design, Best Director, Best Doc Feature, Best Doc Short, Best Film Editing, Best Foreign Film, Best in Art Direction, Best LA Short, Best Makeup, Best Music Score, Best Music Song, Best Orig Screenplay, Best Picture, Best Sound Editing, Best Sound Mixing, Best Sup Actor, Best Sup Actress, Best Visual Effects, Hollywood, Live Stream Video, Make-up Category, Uncategorized, Video/YouTube

Academy Award® Nominated ~ Achievement in Sound Mixing

Ensemble post by: Audiegrl and Geot

Avatar

Click here for complete coverage of Avatar, that includes: nominations, trailers, cast, reviews, production notes, and more…

The Hurt Locker

Click here for complete coverage of The Hurt Locker, that includes: nominations, trailers, cast, reviews, production notes, and more…

Inglourious Basterds
Inglourious Basterds

Click here for complete coverage of Inglourious Basterds, that includes: nominations, trailers, cast, reviews, production notes, and more…

Star Trek

Click here for complete coverage of Star Trek, that includes: nominations, trailers, cast, reviews, production notes, and more…

Transformers: Revenge of the Fallen

Click here for complete coverage of Transformers: Revenge of the Fallen, that includes: nominations, trailers, cast, reviews, production notes, and more…

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Academy Award® Nominated: Transformers: Revenge of the Fallen

Ensemble post by: Audiegrl, Geot, and BuellBoy

A youth chooses manhood. The week Sam Witwicky starts college, the Decepticons make trouble in Shanghai. A presidential envoy believes it’s because the Autobots are around; he wants them gone. He’s wrong: the Decepticons need access to Sam’s mind to see some glyphs imprinted there that will lead them to a fragile object that, when inserted in an alien machine hidden in Egypt for centuries, will give them the power to blow out the sun. Sam, his girlfriend Mikaela, and Sam’s parents are in danger. Optimus Prime and Bumblebee are Sam’s principal protectors. If one of them goes down, what becomes of Sam? Written by jhailey

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The cast includes: Shia LaBeouf, Megan Fox, Josh Duhamel, Tyrese Gibson, John Turturro, Ramon Rodriguez, Kevin Dunn, Julie White, Isabel Lucas, John Benjamin Hickey, Matthew Marsden, and Andrew Howard

Reviews

IMDB member
“We all have a feeling of dread when we heard of a sequel going into production when referring to a movie that we enjoyed. Especially if that movie is based on something left over from our childhood. While the first Transformer movie was enjoyable, Transformers 2: Revenge of the Fallen exceeded all of the expectations I could have possibly had while all the while blowing the first movie out of the water.”

Did You Know?

The Decepticon Alice is classified as a Pretender, a robot that maintains a bio-organic shell.

Arcee was originally meant to appear in the first film. She was replaced with Ironhide because the writers thought robot genders would be difficult to explain. Afterward, they decided to include Arcee to please fans, and ignore the gender issue. Arcee’s alternate mode was felt to be too small for her to be an effective warrior, so she got two partners.

Soundwave, who appears in this film, was originally meant to appear in the first film, but could not be properly reworked. He was a helicopter, but that was rewritten as Blackout. He became a radio, then was rewritten as Frenzy. His alternate mode in this film is a satellite.

One Nomination

Best Sound Mixing

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Academy Award® Nominated: Star Trek

Ensemble post by: Audiegrl, Geot, BuellBoy, Ogenec and TheLCster


On the day of James Kirk’s birth, his father dies on his ship in a last stand against a mysterious alien vessel. He was looking for Ambassador Spock, who is a child on Vulcan at that time, disdained by his neighbors for his half-human nature. Twenty years later, Kirk has grown into a young troublemaker inspired by Capt. Christopher Pike to fulfill his potential in Starfleet even as he annoys his instructors like young Lt. Spock. Suddenly, there is an emergency at Vulcan and the newly commissioned USS Enterprise is crewed with promising cadets like Nyota Uhura, Hikaru Sulu, Pavel Chekov and even Kirk himself thanks to Leonard McCoy’s medical trickery. Together, this crew will have an adventure in the final frontier where the old legend is altered forever even as the new version of it is just beginning.

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Credits

Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . J.J. Abrams
Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . J.J. Abrams
Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Damon Lindelof
Co-Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . David Witz
Associate Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . David Baronoff
Executive Producers . Jeffrey Chernov, Alex Kurtzman, Bryan Burk, and Roberto Orci

The cast includes: Chris Pine, Zachary Quinto, Leonard Nimoy, Eric Bana, Bruce Greenwood, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Ben cross, Winona Ryder, Chris Hemsworkth, Jennifer Morrison, and Rachel Nichols

44D’s Reviews

TheLCster
As an aspiring nerd (no not geek, nerd, yes…there is a difference) I have been trying to break into the world of Star Trek in the traditional sense…watching it episode by episode, series by series. I take sci-fi very seriously! lol This new movie although entertaining feels like a ‘watered-down for the masses’ version of a topic that I know people spend their lifetime’s trying to perfect. Although I don’t speak Klingon, I respect the franchise and was disappointed at the simplistic (often trading true character growth and dynamic for witty one-liners) nature of some of the characters. I am glad, however, that at least a new generation of viewers will be introduced to the characters. Hopefully those who enjoyed the movie will research the series in the proper manner.

Ogenec
“No one does geek-pop chic better than J.J. Abrams. I never watched Alias (dunno why), but I am hooked — hooked! — on Lost and Fringe. Unlike many TV auteurs, J.J.’s vision adapts quite well to the big screen too: see, for example, MI:III, the best movie of the trilogy.

So I was really excited when I heard that J.J. would be doing the reboot of Star Trek. I knew it’d be edgy, yet fun. I knew it would mix in enough of the mythology for the hardcore Trekkies, but also introduce some fresh elements. And I knew there would be a very good mix of bombastic action sequences and intelligent dialogue. I knew all of that. And yet, I was completely blown away by the movie. The dialogue was even better than I’d hoped. The interplay between the characters (like Bones and Kirk, or Scotty and Kirk, and most importantly Kirk and Spock themselves) was just phenomenal. The action was totally kick-ass. In fact, I’m about to unleash my id by watching it again tonight with the subwoofers set to “Stun.” But, above all else, two things really endear this movie to me as a total keeper. The first is the subversion of the operating premise of the Kirk-Spock relationship, where Kirk is the impulsive one, and Spock is all logic and rationality. In the movie, Kirk proves himself to be quite the thinking man, and Spock gets very emotional. Man, I ate it up. You will too, on the off-chance that you haven’t seen this excellent movie yet.

The second is the casting of Chris Pine as Kirk. Sometimes you hear the casting choices and you go “Hell Naw!!! What were they thinking?!?!?” Most times, your concerns are well-founded. Think George Clooney as Batman — ’nuff said. But sometimes, you’re just totally wrong, and you have to admit it. So I admit it — Chris Pine is such an inspired choice for Kirk that he seems borne for the role, just as much as Daniel Craig is, to me, now the definitive James Bond. All I knew of Chris Pine was his role as a homicidal maniac in Smoking Aces. Fantastic role, and he’s obviously quite the actor. But I couldn’t see how THAT guy could pull off a Captain Kirk. Well, I’m extremely happy J.J. Abrams doesn’t listen to me. And, by the way, Eric Bana also is fantastic as Spock’s Romulan nemesis. In short, fantastic movie. Can’t wait for the sequel.”

Audiegrl
“Loved it. J.J. Abrams did a outstanding job of re-energizing the Star Trek franchise. With 21st century special effects, he really updated, the normally slow-moving action viewers were used to. Spock and Lt. Uhura hooking up? Brilliant…we get to see what made Spock who he is, and his ongoing struggle to determine if he was more human or vulcan. It was also good to learn why Doctor McCoy aka Bones, earned his nickname, saying…“My wife took everything in the divorce, all she left me was my bones.” Abrams successfully introduced the series to a new generation of Trekkies, somewhere out there, Gene Roddenberry is smiling 🙂

Did You Know?

Randy Pausch, a Carnegie-Mellon Computer Science professor (and “Star Trek” fan) who gained widespread fame as the author of a “Last Lecture” in which he discussed living the life of his dreams in the face of terminal pancreatic cancer, was invited by J.J. Abrams to appear as an extra in this film (he is the Kelvin officer who says “Captain, we have visual“). Pausch wrote in his blog about the experience, “I got a custom-made Star Trek uniform and my own station on the bridge, where I had lots of buttons and controls. I even got a LINE!!!!” Pausch died on July 25, 2008; his paycheck of $217.06 from working on the film was donated to charity.

While most Trekkies will have known this detail for decades, this is the first time that Uhura has been given a first name on screen: Nyota. Gene Roddenberry never came up with a first name for her, so many thought this meant she did not have one, although in literature, Uhura is often referred to as Nyota by her comrades, and she is also referred to as Nyota Uhura in the DC Comics publication “Who’s Who in Star Trek“. There are several nods to this history in the movie: first, when Kirk first meets (and hits on) Uhura in a bar and tells her, “if you don’t tell me your name, I’m gonna have to make one up,” and then when she refuses to tell Kirk her first name throughout the film.

Majel Barrett, the wife of “Star Trek” creator Gene Roddenberry, has a role in this film as the voice of the Enterprise computer. She completed her voice-over work two weeks before her death on December 18, 2008.

The Korean-American actor John Cho was initially uncertain about being cast as the Japanese-American officer Hikaru Sulu, but George Takei, who played Sulu in “Star Trek” (1966), encouraged him to take the role as Sulu was a character who represented all of Asia.

Four Nominations

Best Visual Effects
Best Sound Mixing
Best Sound Editing
Best Makeup

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Academy Award® Nominated: Inglourious Basterds

Posted by: Audiegrl, Geot, Bluedog89, and BuellBoy

Inglourious Basterds
In the first year of the German occupation of France, Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris where she forges a new identity as the owner and operator of a cinema.

Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish American soldiers to perform swift, shocking acts of retribution. Later known to their enemy as “the basterds,” Raine’s squad joins German actress and undercover agent Bridget von Hammersmark (Diane Kruger) on a mission to take down the leaders of the Third Reich. Fates converge under a cinema marquis, where Shosanna is poised to carry out a revenge plan of her own. Employing pulp and propaganda in equal measure, Quentin Tarantino’s INGLOURIOUS BASTERDS weaves together the infamous, oppressed, real and larger-than-life stories of WWII.

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Credits

Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Quentin Tarantino
Writer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Quentin Tarantino
Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lawrence Bender
Executive Producers . . . . . . . . . . . . . . . . . . . . . . Erica Steinberg and Lloyd Phillips
Executive Producers . . . . . . . . . . . . . . . . . . . Bob Weinstein and Harvey Weinstein
Co-Producers . . . . . Henning Molfenter, Carl L. Woebcken, and Christoph Fisser
Associate Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pilar Savone
Special Makeup Effects . . . . . . . . . . . . . . . . Gregory Nicotero and Howard Berger
Director of Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . Robert Richardson, ASC
Production Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . David Wasco
Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sally Menke, A.C.E.
Costume Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anna B. Sheppard
Visual Effects Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Dykstra

The cast includes: Brad Pitt, Mélanie Laurent, Christoph Waltz, Eli Roth, Michael Fassbender, Diane Kruger, Daniel Brühl, Til Schweiger, Gedeon Burkhard, Jacky Ido, B.J. Novak, Omar Doom, August Diehl, Sylvester Groth, Martin Wuttke, Mike Myers, Julie Dreyfus, Samm Levine, Paul Rust, and Michael Bacall

Reviews

IMDB member from England
Inglorious Basterds makes no apologies, asks for no forgiveness, it’s a no holds barred assault on the senses. Tarantino doesn’t care if he offends, if he steps all over stereotypes and clichés, this is film making at it purest. It’s great to see a film maker whose work clearly isn’t interfeared with by the powers that be. Tarantino is a master of effortlessly cranking up immense tension and suddenly mixing it with laugh out loud moments; you’re not sure if you should be looking away in disgust or rolling around laughing, either way it’s a roller coaster and one not to be missed! It’s not for everyone and I’m unsure how Germans will take the film, certainly if you’re not a fan of Tarantino’s style, this may be a little hard to swallow, but never-the-less, it is a film which simply has to be seen. No self respecting film fan should miss this. And the performance of Christoph Waltz… Oscar don’t you dare ignore him!!”

Did You Know?

Quentin Tarantino intended for this to be as much a war film as a spaghetti western, and considered titling the movie “Once Upon a Time in Nazi-Occupied France“. He gave that title instead to the first chapter of the film.

When asked about the misspelled title, director Quentin Tarantino gave the following answer: “Here’s the thing. I’m never going to explain that. You do an artistic flourish like that, and to explain it would just take the piss out of it and invalidate the whole stroke in the first place.”

Eli Roth’s character, Sgt. Donnie Donowitz, is part of the Tarantino-verse, sharing the last name of the film producer character, Lee Donowitz, in the Tarantino-written True Romance (1993). The Lee Donowitz character also produced a war film “Comin’ Home in a Body Bag“.

The name of Brad Pitt’s character, Lt. Aldo Raine, is an homage to both the actor and WWII veteran Aldo Ray and a character from Rolling Thunder (1977), Charles Rane (played by William Devane). One of the casting directors, Johanna Ray, is Aldo Ray’s ex-wife.

Eight Nominations

Best Motion Picture
Best Supporting Actor ~ Christoph Waltz
Best Director
Best Original Screenplay
Best Cinematography
Best in Film Editing
Best Sound Mixing
Best Sound Editing

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Filed under 82nd Academy Awards, Best Cinematography, Best Director, Best Film Editing, Best Orig Screenplay, Best Picture, Best Sound Editing, Best Sound Mixing, Best Sup Actor, Culture, Entertainment, Germany, Hollywood, Pop Culture, Uncategorized, United States, US, World

Academy Award® Nominated: The Hurt Locker

Ensemble post by: Audiegrl, Geot, Bluedog89, and BuellBoy

The Hurt LockerThe Hurt Locker, winner of the 2008 Venice Film Festival SIGNIS Grand Prize, is a riveting, suspenseful portrait of the courage under fire of the military’s unrecognized heroes: the technicians of a bomb squad who volunteer to challenge the odds and save lives in one of the world’s most dangerous places. Three members of the Army’s elite Explosive Ordnance Disposal
(EOD) squad battle insurgents and each other as they search for and disarm a wave of roadside bombs on the streets of Baghdad—in order to try and make the city a safer place for Iraqis and Americans alike. Their mission is clear—protect and save—but it’s anything but easy, as the margin of error when defusing a war-zone bomb is zero. This thrilling and heart-pounding look at the effects of combat and danger on the human psyche is based on the first-hand observations of journalist and screenwriter Mark Boal, who was embedded with a special bomb unit in Iraq.

These men spoke of explosions as putting you in “the hurt locker.”

With a visual and emotional intensity that makes audiences feel like they have been transported to Iraq’s dizzying, 24-hour turmoil, The Hurt Locker is both a gripping portrayal of real-life sacrifice and heroism, and a layered, probing study of the soul-numbing rigors and potent allure of the modern battlefield.

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Credits

Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kathryn Bigelow
Producers . . . . . . . . Mark Boal, Kathryn Bigelow, Nicolas Chartier, Greg Shapiro
Executive Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tony Mark
Screenwriter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mark Boal
Director of Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Barry Ackroyd
Production Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Karl Júlíusson
Editors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bob Murawski and Chris Innis
Costume Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . George Little
Composer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marc Beltrami

The cast includes: Jeremy Renner, Anthony Mackie, Brian Geraghty, Ralph Fiennes, Guy Pearce, David Morse, Christian Camargo, and Evangeline Lilly

Reviews

IMDB member from Argentina
“I spent the entire film grabbing the arms of my seat. I was there in Irak, steps away from my death and the death of those around me. The tension, the suspense is at times breathtaking, literally. “The Hurt Locker” is a miracle and the definitive consecration of a great filmmaker, Kathryn Bigelow. This is also a rare occasion in which I went to see the film without having read a single review or knowing anything about it. One should try to do that more often because the impact of the surprise translates into pure pleasure and in this case, sometimes, you have to look away from the unmitigated horror. Jeremy Renner is a real find. He is superb. A kind soul, wild man with enough arrogance to make him appear reckless and yet his humanity precedes him. People may commit the mistake of avoiding this gem thinking that it’s just a war film. Don’t. It isn’t. It’s a great, engrossing film about human emotions, not to be missed. “

Did You Know?

During filming, three, four or more hand-held super 16mm cameras were used to film scenes in documentary style. Nearly two hundred hours of footage was shot at an eye-popping 100:1 shooting ratio (a higher ratio of expended film than the notorious Francis Ford Coppola epic, Apocalypse Now (1979)).

James Cameron said this about ex-wife Kathryn Bigelow’s film: “I think this could be the ‘Platoon’ (1986) for the Iraq War.”

Jeremy Renner wore a real bomb suit in the sweltering desert heat without a stunt double.

The crew members were American, Jordanian, Lebanese, English, Irish, German, Moroccan, Danish, Tunisian, South African, Icelandic, Iraqi, Libyan, Circassian, Palestinian, Armenian, Swedish, Australian, and New Zealish.

Nine Nominations

Best Motion Picture
Best Director
Best Actor ~ Jeremy Renner
Best Original Screenplay
Best in Film Editing
Best Cinematography
Best in Music (Original Score)
Best Sound Editing
Best Sound Mixing

March 2, 2010
FOR IMMEDIATE RELEASE

Academy Penalizes Aggressive Campaigner

Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences announced today that, should “The Hurt Locker” be announced as the recipient of the Best Picture award at Sunday’s ceremonies, only three of the picture’s producers will be present for the celebration. The fourth of the film’s credited producers, Nicolas Chartier, has been denied attendance at the 82nd Academy Awards® as a penalty for violating Academy campaigning standards.

Chartier had recently disseminated an email to certain Academy voters and other film industry figures in which he solicited votes for his own picture and disparaged one of the other contending films. Academy rules prohibit “casting a negative or derogatory light on a competing film.” The executive committee of the Academy’s Producers Branch, at a special session late Monday, ruled that the ethical lapse merited the revocation of Chartier’s invitation to the Awards.

The group stopped short of recommending that the Academy governors rescind Chartier’s nomination. If “The Hurt Locker” were to be selected as Best Picture, Chartier would receive his Oscar® statuette at some point subsequent to the March 7 ceremonies.”

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Academy Award® Nomination: Avatar

Posted by: Audiegrl, Geot, Bluedog89, and BuellBoy


AVATAR takes us to a spectacular world beyond imagination, where a newcomer from Earth embarks on an epic adventure, ultimately fighting to save the alien world he has learned to call home. James Cameron, the Oscar®-winning director of “Titanic,” first conceived of the film 15 years ago, when the means to realize his vision did not yet exist. Now, after four years of production, AVATAR, a live action film with a new generation of special effects, delivers a fully immersive cinematic experience of a new kind, where the revolutionary technology invented to make the film disappears into the emotion of the characters and the sweep of the story.

We enter the alien world through the eyes of Jake Sully, a former Marine confined to a wheelchair. But despite his broken body, Jake is still a warrior at heart. He is recruited to travel light years to the human outpost on Pandora, where a corporate consortium is mining a rare mineral that is the key to solving Earth’s energy crisis. Because Pandora’s atmosphere is toxic, they have created the Avatar Program, in which human “drivers” have their consciousness linked to an avatar, a remotely controlled biological body that can survive in the lethal air. These avatars are genetically engineered hybrids of human DNA mixed with DNA from the natives of Pandora… the Na’vi.

Reborn in his avatar form, Jake can walk again. He is given a mission to infiltrate the Na’vi, who have become a major obstacle to mining the precious ore. But a beautiful Na’vi female, Neytiri, saves Jake’s life, and this changes everything. Jake is taken in by her clan, and learns to become one of them, which involves many tests and adventures. As Jake’s relationship with his reluctant teacher Neytiri deepens, he learns to respect the Na’vi way and finally takes his place among them. Soon he will face the ultimate test as he leads them in an epic battle that will decide the fate of an entire world.

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Credits

Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . James Cameron
Writer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . James Cameron
Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . James Cameron
Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Landau
Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . James Cameron
Editors . . . . . . . . . . . . . . . . . . . . . John Refoua, A.C.E. and Stephen Rivkin, A.C.E.
Production Designers . . . . . . . . . . . . . . . . . . . . . Rick Carter and Robert Stromberg
Director of Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mauro Fiore, ASC
Senior Visual Effects Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Joe Letteri
Costume Designers . . . . . . . . . . . . . . . . . . . . Mayes C. Rubeo and Deborah L. Scott
Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . James Horner

The cast includes: Sam Worthington, Zoë Saldana, Sigourney Weaver, Stephen Lang, Michelle Rodriguez, Giovanni Ribisi, Joel David Moore, CCH Pounder, Wes Studi, and Laz Alonso

Reviews

IMDB member from England
It was Terminator in the 1980’s and then Titanic in the ’90s and it’s definitely Avatar in the 2000s!!

James Cameron is my most favourite director and he has once again broken all boundaries and created a visual extravaganza.

Avatar is Cameron’s latest magnum opus is probably one of the most anticipated movies since Titanic and now it seems that the visionary director has indeed created a film that’ll revolutionize the world of cinema.

The film was absolutely fascinating, interesting, entertaining and emotional. I loved the look on the Pandora jungle and it must be the best scenery in film history and the navis are definitely the best digital characters since Gollum from The Lord of the Rings. The special effects are so amazing that Pandora looks like a real location and you can mistake the navis as real characters. Avatar was almost 3 hours but it didn’t seem that long.

Avatar already makes it on my top 5 favourite movies and I intend to see it again and I am already waiting for it to release on Blu Ray because I’m sure that it will be one of the best Blu Ray titles.

Did You Know?

The year is never stated, but the video log shows that the year is 2154.

Sigourney Weaver plays a James Cameron persona for her character in this film. Sigourney stated in an interview, “I teased him because to me I’m playing Jim Cameron in the movie as this kind of brilliant, approach-driven, idealistic perfectionist. But that same somebody has a great heart underneath. So I have to say I was always kind of channeling him.”

The Na’vi language was created entirely from scratch by linguist Paul R. Frommer. James Cameron hired him to construct a language that the actors could pronounce easily, but did not resemble any single human language. Frommer created about 1000 words.

Nine Nominations

Best Motion Picture
Best Director
Best Cinematography
Best Art Direction
Best Visual Effects
Best in Film Editing
Best Sound Mixing
Best Sound Editing
Best in Music (Original Score)

Back to 44-D’s Virtual Red Carpet to the Oscars®Back to 44-D’s Virtual Red Carpet to the Oscars®

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