Tag Archives: oscars

Watch 82nd Academy Awards Live Chat on 44-D’s

The 82nd Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences, will honor the best films of 2009 and will take place March 7, 2010, at the Kodak Theatre in Hollywood, Los Angeles, California and will be televised in the United States on ABC. Actors Alec Baldwin and Steve Martin will serve as co-hosts for the show.

44-D’rs will be live chatting the ceremony as well. Please visit www.chatroll.com to set up your chat account (this only takes about 10 seconds), and then come back here to join us in all the fun!

If you didn’t already download/print your Oscars ballot, please click here.

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Wishing him the best birthday ever!!
Our fellow founder and friend, GeoT!
Please have a virtual slice 🙂

82nd Academy Awards and the winners are…

Best Motion Picture

Best Actor

Best Supporting Actor

Best Actress

Best Supporting Actress

Best Director

Best Documentary Feature

Best Documentary Short

Best Animated Feature

Best Foreign Language Film

Best Original Screenplay

Best Adapted Screenplay

Best in Cinematography

Best in Art Direction

Best Animated Short

Best Live Action Short

Best in Visual Effects

Best in Costume Design

Best in Film Editing

Best In Sound Mixing

Best in Sound Editing

Best in Music (Original Score)

Best in Music (Original Song)

Best in Makeup

44-D’s Blogs the Oscars Credits

Director/Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Audiegrl
Graphic Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GeoT
Web Development and Layout . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Audiegrl
Research and Writing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BlueDog89
Videology . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Buellboy

Reviewers include: Betsm, Ogenec, TheLCster, Geot, Audiegrl, WillieBeyond, and more…

Many thanks to all who made the 44-D’s Blogs the Oscars project possible 🙂

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Filed under 82nd Academy Awards, Best Actor, Best Actress, Best Adap Screenplay, Best Animated Feature, Best Animated Short, Best Animated Short, Best Art Direction, Best Cinematography, Best Costume Design, Best Director, Best Doc Feature, Best Doc Short, Best Film Editing, Best Foreign Film, Best in Art Direction, Best LA Short, Best Makeup, Best Music Score, Best Music Song, Best Orig Screenplay, Best Picture, Best Sound Editing, Best Sound Mixing, Best Sup Actor, Best Sup Actress, Best Visual Effects, Hollywood, Live Stream Video, Make-up Category, Uncategorized, Video/YouTube

The Hurt Locker Producer Nicolas Chartier BARRED From Oscars

Posted by: Audiegrl

Academy Penalizes Aggressive Campaigner

The Hurt Locker producers

From left to right, screenwriter Mark Boal, director Kathryn Bigelow, producer Greg Shapiro and Nicolas Chartier, pose for the photographers with their awards for Best Film with their latest film The Hurt Locker, in the media room at the British Academy Film Awards at The Royal Opera House in London, Sunday, Feb. 21, 2010. (AP Photo/Joel Ryan)

Beverly Hills, CA~~The Academy of Motion Picture Arts and Sciences announced today that, should “The Hurt Locker” be announced as the recipient of the Best Picture award at Sunday’s ceremonies, only three of the picture’s producers will be present for the celebration. The fourth of the film’s credited producers, Nicolas Chartier, has been denied attendance at the 82nd Academy Awards® as a penalty for violating Academy campaigning standards.

Chartier had recently disseminated an email to certain Academy voters and other film industry figures in which he solicited votes for his own picture and disparaged one of the other contending films. Academy rules prohibit “casting a negative or derogatory light on a competing film.” The executive committee of the Academy’s Producers Branch, at a special session late Monday, ruled that the ethical lapse merited the revocation of Chartier’s invitation to the Awards.

The group stopped short of recommending that the Academy governors rescind Chartier’s nomination. If “The Hurt Locker” were to be selected as Best Picture, Chartier would receive his Oscar® statuette at some point subsequent to the March 7 ceremonies.


Academy Awards for outstanding film achievements of 2009 will be presented on Sunday, March 7, 2010, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PT/ 8 p.m. ET. The Oscar presentation also will be televised live in more than 200 countries worldwide.

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Lopez Tonight! Guest Schedule for 03/1 thru 03/4

Posted by: Audiegrl


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Monday, March 1, 2010

Julia MancusoJulia Mancuso
Dax Shepard
Nicole Eggert
New Boyz
‘Jersey Shore Presents: The Hurt Locker and Inglorious Basterds’

Tuesday, March 2, 2010

Tracey UllmanTracey Ullman
Bret Michaels
‘Jersey Shore Presents: Inglorious Basterds and Avatar’
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Wednesday, March 3, 2010

T-PainT-Pain
Mario Lopez
Anjelah Johnson
‘Jersey Shore Presents: The Blind Side’

Thursday, March 4, 2010

Seann William ScottSeann William Scott
Shaun White
Andrew Dice Clay
‘Jersey Shore Presents: Up in the Air’

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Great Live Music Clip from Last Week’s Show

Matt Morris is an American singer-songwriter. The son of country music star Gary Morris, Morris made his show business debut on stage with his father. Morris is openly gay and married his husband Sean Michael Morris when same sex couples were allowed to do so in California. His husband was his inspiration for the song “Love” found on his debut album.

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10 Semi-Finalists Named in Academy/MTVU “Oscar® Correspondent Contest

Posted by: Audiegrl

The Academy of Motion Picture Arts and Sciences and mtvU, MTV’s 24-hour college network, announced ten teams of college journalists as semifinalists in the 2010 Oscar Correspondent Contest, each vying for a coveted position on the red carpet at the 82nd Academy Awards in Hollywood. Video entries from the semifinalist teams are posted online at www.oscars.mtvU.com, where students and other viewers can vote for their favorite college journalists until February 10 at 2 p.m. PT.

The semifinalists are (listed in alphabetical order by university):

Chapman University, Orange, CA – Rachel Berry (anchor) and Christian Hartnett (videographer)
Watch and Vote

Emerson College, Boston, MA – Terry Stackhouse (anchor) and Zach Cusson (videographer)
Watch and Vote

Emerson College – Dean Dimitruk (anchor) and Tyler Weinberger (videographer)
Watch and Vote

Florida A&M University, Tallahassee – Brandon McCaskill (anchor) and Kiarra Hart (videographer)
Watch and Vote

Middle Tennessee State University, Murfreesboro – Nicki DeCroce (anchor) and Tony Holt (videographer)
Watch and Vote

Rider University, Lawrenceville, NJ – Kelly Dixon (anchor) and Gina Grosso (videographer)
Watch and Vote

Syracuse University, Syracuse, NY – Eeshé White (anchor) and Patrick House (videographer)
Watch and Vote

Texas State University-San Marcos – Amanda Dugan (anchor) and Colby Howell (videographer)
Watch and Vote

University of South Dakota, Vermillion – Angie Lacompte (anchor) and Travis Berg (videographer)
Watch and Vote

University of Texas at Austin – Loren Grush (anchor) and Xorje Olivares (videographer)
Watch and Vote

On February 12, the three teams with the most online votes, and as agreed upon by the Academy and mtvU, will advance to the final round of competition. From February 16 to March 2, fans can continue to cast their votes for the teams of finalists as they compete for grand prize. All three teams will be flown to Los Angeles to cover Academy Awards pre-events, including the Animated Feature Symposium, Foreign Language Film Award media op, the Makeup Artist and Hairstylist Symposium and the Governors Ball preview.


The grand prize-winning team will be revealed on Saturday, March 6, at an Academy press conference. The anchor and videographer will be awarded a spot on the red carpet for the 82nd Academy Awards arrivals, as well as credentials for access to backstage press rooms. The winning team’s coverage will be aired on MTV News and mtvU. The two finalist teams will receive bleacher seats along the red carpet and admission to an Oscar viewing party.

The ten semifinalist teams were selected by the Academy and mtvU from videos submitted for the competition. The entries were judged based on criteria including originality, creativity, and how compelling the video was overall. The competition was open to teams of two college students, one anchor and one videographer, residing in the United States.

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For a complete list of rules and regulations for the Oscar Correspondent Contest, visit www.oscars.mtvu.com

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Filed under 82nd Academy Awards, ABC, Art, Artists, Culture, Documentary, Education, Entertainment, Hollywood, Journalism, Los Angeles, CA, Media and Entertainment, Movies, Networks, Pop Culture, Pundits (television), Students, Technology, Uncategorized, United States, US, Video/YouTube, World

80 Best Picture Posters to Premiere at the Academy

Posted by: Audiegrl

The Wizard of Oz movie posterThe Wizard of Oz,” “Citizen Kane” and “Casablanca” will be among the 80 Best Picture nominees represented in the Academy of Motion Picture Arts and Sciences’ new exhibition “The More the Merrier: Posters from the Ten Best Picture Nominees, 1936 – 1943,” opening on Saturday, January 23, in the Academy’s Grand Lobby Gallery in Beverly Hills. Admission is free.

Focusing on the eight consecutive years during which there were annually ten Best Picture nominees, the exhibition will showcase what are arguably some of the most striking movie posters ever created, including artwork for “Romeo and Juliet” (1936), “A Star Is Born” (1937), “Jezebel” (1938), “Stagecoach” (1939), “The Philadelphia Story” (1940), “The Maltese Falcon” (1941), “The Pride of the Yankees” (1942) and “Heaven Can Wait” (1943). Key artists and illustrators whose work will be featured include Norman Rockwell, Al Hirschfeld, Jacques Kapralik, France’s Boris Grinsson and Pierre Pigeot, and Italy’s Ercole Brini.

The exhibition also will present the only known three-sheet posters for “The Great Ziegfeld” (1936), the special British cinema display for “Lost Horizon” (1937), and an original painting for “Gone with the Wind” (1939) by the prolific artist Sergio Gargiulo.

Gone With the Wind movie posterThe More the Merrier” is drawn from the collection of Academy member and poster art director Mike Kaplan, and augmented by materials from the Academy’s Margaret Herrick Library. The posters include foreign versions from South American and Europe.

The specific number of Best Picture nominees ranged from 3 to 12 in the Awards years from 1927/28 through 1943; in 1944 the number was set at 5, as it remained until 2009. The 82nd Academy Awards®, which will be televised on Sunday, March 7, will return to the Academy’s past practice of nominating 10 films for the Best Picture award.

Kaplan will lead a public gallery talk at the Academy on Sunday, January 24, at 3 p.m. No reservations are required.

The More the Merrier: Posters from the Ten Best Picture Nominees, 1936 – 1943” will be on display through Sunday, April 18. The Academy’s Grand Lobby Gallery is located at 8949 Wilshire Boulevard in Beverly Hills and is open Tuesday through Friday, 10 a.m. to 5 p.m., and weekends, noon to 6 p.m. For more information call (310) 247-3600 or visit www.oscars.org.

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Palette Narrows to 7 in Oscar® Make-up Race

Posted by: Audiegrl

The Academy of Motion Picture Arts and Sciences today announced that seven films remain in competition in the Make-up category for the 82nd Academy Awards®.

The films are listed below in alphabetical order:

District 9
In 1982, a massive star ship bearing a bedraggled alien population appeared over Johannesburg, South Africa. Twenty-eight years later, the initial welcome by the human population has faded. The extraterrestrial race is forced to live in slum-like conditions on Earth and find a kindred spirit in a government agent that is exposed to their biotechnology.

Watch the trailer

Il DivoIl Divo
The story of Italian Prime Minister Giulio Andreotti, who has been elected Prime Minister, by Parliament, seven times since it was established in 1946. The narration spans the period since the seventh election of Andreotti as Prime Minister of Italy in 1992, until the trial in which he was accused of collusion with the Mafia.

Watch the trailer

The Imaginarium of Doctor ParnassusThe Imaginarium of Doctor Parnassus
Immortal thousand-year-old Doctor Parnassus leads a travelling theatre troupe offering audience members a chance to go beyond reality through a magical mirror in his possession. Parnassus had been able to guide the imagination of others through a deal with the Devil, who now comes to collect on the arrangement.

Watch the trailer

Night at the Museum: Battle of the SmithsonianNight at the Museum: Battle of the Smithsonian
When the Museum of Natural History is closed for upgrades and renovations, the museum pieces are moved into federal storage at the famous Washington Museums. The centerpiece of the film will be bringing to life the Smithsonian Institution, which houses the world’s largest museum complex with more than 136 million items in its collections.

Watch the trailer

The RoadThe Road
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing: just a pistol to defend themselves, the clothes they are wearing, a cart of scavenged food–and each other.

Watch the trailer

Star Trek
The film follows James T. Kirk enrolling at Starfleet Academy, his first meeting with Spock, and their battles with Romulans from the future, who are interfering with history. Together, the new crew of the USS Enterprise will have an adventure in the final frontier where the old legend is altered forever even as the new version of it is just beginning.
Watch the trailer

The Young VictoriaThe Young Victoria
The film is Jean-Marc Vallee’s dramatization of the turbulent early years of Queen Victoria’s rule, which began when she was just 18 years old, and her enduring romance and marriage to Prince Albert. The film brings their relationship to life, all while playing out against a background of family strife and political wrangling.
Watch the trailer


On Saturday, January 23, all members of the Academy’s Make-up Branch will be invited to view 10-minute excerpts from each of the seven shortlisted films. Following the screenings, members will vote to nominate three films for final Oscar consideration.

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Academy Museum of Motion Pictures Project

Posted by: Audiegrl

It was Gertrude Stein who once said of Oakland, “There is no there there.” The same has often been said of Hollywood (both the place and the industry). There is no single place a visitor can go to get a real sense of its essence. The purpose of a museum dedicated to the filmmaking arts and sciences would be to put a “there” in Hollywood. To illuminate something of what we do and how we do it. Something of the sweat and something of the inspiration; something of the practical and something of the magic; to capitalize on the national and international love of filmed entertainment and promote an appreciation of, knowledge of, and respect for our work.

Diane Keaton and Woody Allen analyze a sculpture on display at MOMA in Manhattan (1979)

Diane Keaton and Woody Allen analyze a sculpture on display at MOMA in Manhattan (1979)

Our mission is to create a place to celebrate and explore how film has reflected and shaped world culture, and to help us all better understand what the movies have meant – and continue to mean – in our lives. Thirteen locations across Los Angeles were carefully assessed as potential sites on which to build our new institution. Ultimately, the Museum Committee felt that the museum was meant to live in Holly­wood, a neighborhood synonymous with the film industry. The chosen site, adjacent to the Academy’s existing Pickford Center, allows for the creation of a sunny, eight-acre campus.

The museum will be open year-round and become a landmark attraction for Hollywood and the greater Los Angeles area, a place for watching and learning about film and filmmaking, for exploring film’s relationship with the greater world and for listening to stories told by filmmakers themselves.

The museum’s public programs, lectures and hands-on exhibits will attract Los Angelenos, tourists, Academy members, film professionals, students and everyone in between. While people may be initially drawn in by the allure of Hollywood, we hope they will leave inspired and exhilarated, with a deeper appreciation for what movies have given them – characters they root for and sympathize with, glimpses into lives they wouldn’t have otherwise known, and stories that have shaped the American dream and our sense of national identity.

Sidney Poitier in the film classic 'To Sir With Love' (1967) with Lulu.

Sidney Poitier in the film classic 'To Sir With Love' (1967) with Lulu.

Who are our heroes and how have they changed over time? How have films depicted volatile issues like civil rights, religion, gender relations, poverty and war? How have they shaped our sense of masculinity, femininity and romance? How have Hollywood and Southern California affected the image of the United States, at home and abroad? Such are some of the topics the museum’s exhibits will explore, while allowing visitors to view films within the historical, cultural and technological contexts in which they were made.

But to see a film on screen is to see a finished product, not the creative process behind it. And so the Academy’s museum will also include spaces that explore the evolution of filmmaking. It will pull back the curtain, celebrating movie magic while allowing visitors a peek at how it is created. Each of the crafts will be illustrated in lucid, dazzling and unexpected ways, inviting visitors to explore often hidden worlds, whether that be a soundstage, an art department, a post-production studio or the Oscar® show itself. Visitors will be invited to sit in the director’s chair, costume a character, light a starlet, choose a location, cast a film, edit a trailer, score a movie, even walk the red carpet. They will come away with a better understanding of each craft, feeling that they have experienced cinematic creation themselves. It will forever change the way they watch movies.

Elizabeth Taylor in Father of the Bride (1950)

Elizabeth Taylor in Father of the Bride (1950)

The Academy’s museum will be a place of continuously changing exhibitions and programs of interest to residents as well as tourists. It will not rely solely on static objects and images, but will instead utilize interactive and experiential exhibitions, along with well-chosen memorabilia – “the bones of our saints,” if you will. Premieres, foreign films, silent movies, retrospectives, tributes – the screen­ing schedule in the museum’s state-of-the-art theater will be diverse and enticing, luring locals again and again and becoming one of the first things movie-loving tourists will check when planning trips to Southern California.

The Academy has collaborated with many different constituen­cies to determine the content of its museum exhibitions – from craftspeople in each branch, to historians, scholars and film critics, to staff at prominent museums around the country. The priorities are clear: to develop signature content, robust educational programs and exhibits that will attract both residents and tourists, all while providing a “red carpet” standard of visitor hospitality and service.

Years from now, we envision that the museum’s campus will be the hub of the vibrant neighborhood of Hollywood. Its collection, in concert with those of the Margaret Herrick Library and the Academy Film Archive, will continue to provide an important record of the evolution of filmmaking. The museum will be acknowledged as the best in the world on the subject, having become a “must-see” destination in the Los Angeles area and a major center for Academy members to gather and discuss, debate and share issues of importance to filmmaking – past, present and future.

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