Nominated for Best Actor ~ Jeremy Renner ~The Hurt Locker

Ensemble post by: Audiegrl and Geot

Jeremy Renner recently starred in 28 Weeks Later, the highly anticipated sequel to 28 Days Later, for director Juan Carlos Fresnadillo and co-starring Rose Byrne and Robert Carlyle. He played the heroic soldier Doyle, who goes against military orders to save a group of survivors. Renner also starred in The Assassination of Jesse James by the Coward Robert Ford, directed by Andrew Dominik. In the film, Renner stars alongside Brad Pitt and Casey Affleck in the role of a key member of James’ gang, Wood Hide. He also costarred opposite Minnie Driver in the independent film Take, scheduled for release later this year.

In North Country, Renner starred opposite Academy Award winner Charlize Theron in a fictionalized account of the first major, successful sexual harassment case in the U.S. Renner is at the center of the unfolding drama as miner Bobby Sharp. Renner also starred in the acclaimed independent film 12 and Holding, which was nominated for the Independent Spirit Awards’ John Cassavetes Award.

Other recent credits include the independent film Neo Ned, in which Renner starred opposite Gabrielle Union. Neo Ned was screened at the 2005 Tribeca Film Festival and swept the feature film category at the 11th Annual Palm Beach International Film Festival in 2006. Neo Ned was awarded Best Feature Film and Best Director while Renner won the Best Actor prize. The film also was awarded the Outstanding Achievement in Filmmaking/Best Feature Film Award at the Newport Beach Film Festival in April 2006, in addition to the audience awards at the Slamdance, Sarasota and Ashland film festivals.

Jeremy Renner as Staff Sergeant William James in The Hurt Locker

Renner’s other credits include A Little Trip to Heaven, in which he starred opposite Julia Stiles; The Heart is Deceitful Above All Things, directed by Asia Argento as adapted from the critically acclaimed novel by J.T. Leroy; Lords of Dogtown, for director Catherine Hardwicke; and the independent film Love of the Executioner, written and directed by Kyle Bergersen.
In 2003, Renner was seen in the action hit S.W.A.T. opposite Colin Farrell and Samuel L. Jackson. But the role that put Renner on the map and earned the actor an Independent Spirit Award nomination was his unforgettable portrayal of a real-life serial killer in the indie film Dahmer.
With a background in theater, Renner keeps his acting chops in shape by performing in plays throughout the Los Angeles area. Recent credits have included the critically acclaimed “Search and Destroy,” which he not only starred in but also co-directed.

Between film and theater, Renner finds the time to write, record, and perform his own brand of contemporary rock. He has written songs for Warner Chapel Publishing and Universal Publishing.

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Academy Award® Nominated: The Hurt Locker

Ensemble post by: Audiegrl, Geot, Bluedog89, and BuellBoy

The Hurt Locker, winner of the 2008 Venice Film Festival SIGNIS Grand Prize, is a riveting, suspenseful portrait of the courage under fire of the military’s unrecognized heroes: the technicians of a bomb squad who volunteer to challenge the odds and save lives in one of the world’s most dangerous places. Three members of the Army’s elite Explosive Ordnance Disposal
(EOD) squad battle insurgents and each other as they search for and disarm a wave of roadside bombs on the streets of Baghdad—in order to try and make the city a safer place for Iraqis and Americans alike. Their mission is clear—protect and save—but it’s anything but easy, as the margin of error when defusing a war-zone bomb is zero. This thrilling and heart-pounding look at the effects of combat and danger on the human psyche is based on the first-hand observations of journalist and screenwriter Mark Boal, who was embedded with a special bomb unit in Iraq.

These men spoke of explosions as putting you in “the hurt locker.”

With a visual and emotional intensity that makes audiences feel like they have been transported to Iraq’s dizzying, 24-hour turmoil, The Hurt Locker is both a gripping portrayal of real-life sacrifice and heroism, and a layered, probing study of the soul-numbing rigors and potent allure of the modern battlefield.

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Credits

Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kathryn Bigelow
Producers . . . . . . . . Mark Boal, Kathryn Bigelow, Nicolas Chartier, Greg Shapiro
Executive Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tony Mark
Screenwriter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mark Boal
Director of Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Barry Ackroyd
Production Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Karl Júlíusson
Editors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bob Murawski and Chris Innis
Costume Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . George Little
Composer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marc Beltrami

The cast includes: Jeremy Renner, Anthony Mackie, Brian Geraghty, Ralph Fiennes, Guy Pearce, David Morse, Christian Camargo, and Evangeline Lilly

Reviews

IMDB member from Argentina
“I spent the entire film grabbing the arms of my seat. I was there in Irak, steps away from my death and the death of those around me. The tension, the suspense is at times breathtaking, literally. “The Hurt Locker” is a miracle and the definitive consecration of a great filmmaker, Kathryn Bigelow. This is also a rare occasion in which I went to see the film without having read a single review or knowing anything about it. One should try to do that more often because the impact of the surprise translates into pure pleasure and in this case, sometimes, you have to look away from the unmitigated horror. Jeremy Renner is a real find. He is superb. A kind soul, wild man with enough arrogance to make him appear reckless and yet his humanity precedes him. People may commit the mistake of avoiding this gem thinking that it’s just a war film. Don’t. It isn’t. It’s a great, engrossing film about human emotions, not to be missed. “

Did You Know?

During filming, three, four or more hand-held super 16mm cameras were used to film scenes in documentary style. Nearly two hundred hours of footage was shot at an eye-popping 100:1 shooting ratio (a higher ratio of expended film than the notorious Francis Ford Coppola epic, Apocalypse Now (1979)).

James Cameron said this about ex-wife Kathryn Bigelow’s film: “I think this could be the ‘Platoon’ (1986) for the Iraq War.”

Jeremy Renner wore a real bomb suit in the sweltering desert heat without a stunt double.

The crew members were American, Jordanian, Lebanese, English, Irish, German, Moroccan, Danish, Tunisian, South African, Icelandic, Iraqi, Libyan, Circassian, Palestinian, Armenian, Swedish, Australian, and New Zealish.

Nine Nominations

Best Motion Picture
Best Director
Best Actor ~ Jeremy Renner
Best Original Screenplay
Best in Film Editing
Best Cinematography
Best in Music (Original Score)
Best Sound Editing
Best Sound Mixing

March 2, 2010
FOR IMMEDIATE RELEASE

Academy Penalizes Aggressive Campaigner

Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences announced today that, should “The Hurt Locker” be announced as the recipient of the Best Picture award at Sunday’s ceremonies, only three of the picture’s producers will be present for the celebration. The fourth of the film’s credited producers, Nicolas Chartier, has been denied attendance at the 82nd Academy Awards® as a penalty for violating Academy campaigning standards.

Chartier had recently disseminated an email to certain Academy voters and other film industry figures in which he solicited votes for his own picture and disparaged one of the other contending films. Academy rules prohibit “casting a negative or derogatory light on a competing film.” The executive committee of the Academy’s Producers Branch, at a special session late Monday, ruled that the ethical lapse merited the revocation of Chartier’s invitation to the Awards.

The group stopped short of recommending that the Academy governors rescind Chartier’s nomination. If “The Hurt Locker” were to be selected as Best Picture, Chartier would receive his Oscar® statuette at some point subsequent to the March 7 ceremonies.”

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