Tag Archives: score

82nd Annual Academy Awards ~ Oscars® ~ Best in Music (Original Score)

Posted by: Audiegrl

Avatar
(20th Century Fox)
James Horner

Click here for complete coverage of Avatar, that includes: nominations, trailers, cast, reviews, production notes, and more…

The Hurt Locker
(Summit Entertainment)
Marco Beltrami and Buck Sanders

Click here for complete coverage of The Hurt Locker, that includes: nominations, trailers, cast, reviews, production notes, and more…

Sherlock Holmes
(Warner Bros.)
Hans Zimmer

Click here for complete coverage of Sherlock Holmes, that includes: nominations, trailers, cast, reviews, production notes, and more…

The Fantastic Mr. Fox
Fantastic Mr. Fox(20th Century Fox)
Alexandre Desplat

Click here for complete coverage of The Fantastic Mr. Fox, that includes: nominations, trailers, cast, reviews, production notes, and more…

Up
Up(Walt Disney)
Michael Giacchino

Click here for complete coverage of Up, that includes: nominations, trailers, cast, reviews, production notes, and more…

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Academy Award® Nominated: The Hurt Locker

Ensemble post by: Audiegrl, Geot, Bluedog89, and BuellBoy

The Hurt LockerThe Hurt Locker, winner of the 2008 Venice Film Festival SIGNIS Grand Prize, is a riveting, suspenseful portrait of the courage under fire of the military’s unrecognized heroes: the technicians of a bomb squad who volunteer to challenge the odds and save lives in one of the world’s most dangerous places. Three members of the Army’s elite Explosive Ordnance Disposal
(EOD) squad battle insurgents and each other as they search for and disarm a wave of roadside bombs on the streets of Baghdad—in order to try and make the city a safer place for Iraqis and Americans alike. Their mission is clear—protect and save—but it’s anything but easy, as the margin of error when defusing a war-zone bomb is zero. This thrilling and heart-pounding look at the effects of combat and danger on the human psyche is based on the first-hand observations of journalist and screenwriter Mark Boal, who was embedded with a special bomb unit in Iraq.

These men spoke of explosions as putting you in “the hurt locker.”

With a visual and emotional intensity that makes audiences feel like they have been transported to Iraq’s dizzying, 24-hour turmoil, The Hurt Locker is both a gripping portrayal of real-life sacrifice and heroism, and a layered, probing study of the soul-numbing rigors and potent allure of the modern battlefield.

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Credits

Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kathryn Bigelow
Producers . . . . . . . . Mark Boal, Kathryn Bigelow, Nicolas Chartier, Greg Shapiro
Executive Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tony Mark
Screenwriter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mark Boal
Director of Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Barry Ackroyd
Production Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Karl Júlíusson
Editors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bob Murawski and Chris Innis
Costume Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . George Little
Composer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marc Beltrami

The cast includes: Jeremy Renner, Anthony Mackie, Brian Geraghty, Ralph Fiennes, Guy Pearce, David Morse, Christian Camargo, and Evangeline Lilly

Reviews

IMDB member from Argentina
“I spent the entire film grabbing the arms of my seat. I was there in Irak, steps away from my death and the death of those around me. The tension, the suspense is at times breathtaking, literally. “The Hurt Locker” is a miracle and the definitive consecration of a great filmmaker, Kathryn Bigelow. This is also a rare occasion in which I went to see the film without having read a single review or knowing anything about it. One should try to do that more often because the impact of the surprise translates into pure pleasure and in this case, sometimes, you have to look away from the unmitigated horror. Jeremy Renner is a real find. He is superb. A kind soul, wild man with enough arrogance to make him appear reckless and yet his humanity precedes him. People may commit the mistake of avoiding this gem thinking that it’s just a war film. Don’t. It isn’t. It’s a great, engrossing film about human emotions, not to be missed. “

Did You Know?

During filming, three, four or more hand-held super 16mm cameras were used to film scenes in documentary style. Nearly two hundred hours of footage was shot at an eye-popping 100:1 shooting ratio (a higher ratio of expended film than the notorious Francis Ford Coppola epic, Apocalypse Now (1979)).

James Cameron said this about ex-wife Kathryn Bigelow’s film: “I think this could be the ‘Platoon’ (1986) for the Iraq War.”

Jeremy Renner wore a real bomb suit in the sweltering desert heat without a stunt double.

The crew members were American, Jordanian, Lebanese, English, Irish, German, Moroccan, Danish, Tunisian, South African, Icelandic, Iraqi, Libyan, Circassian, Palestinian, Armenian, Swedish, Australian, and New Zealish.

Nine Nominations

Best Motion Picture
Best Director
Best Actor ~ Jeremy Renner
Best Original Screenplay
Best in Film Editing
Best Cinematography
Best in Music (Original Score)
Best Sound Editing
Best Sound Mixing

March 2, 2010
FOR IMMEDIATE RELEASE

Academy Penalizes Aggressive Campaigner

Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences announced today that, should “The Hurt Locker” be announced as the recipient of the Best Picture award at Sunday’s ceremonies, only three of the picture’s producers will be present for the celebration. The fourth of the film’s credited producers, Nicolas Chartier, has been denied attendance at the 82nd Academy Awards® as a penalty for violating Academy campaigning standards.

Chartier had recently disseminated an email to certain Academy voters and other film industry figures in which he solicited votes for his own picture and disparaged one of the other contending films. Academy rules prohibit “casting a negative or derogatory light on a competing film.” The executive committee of the Academy’s Producers Branch, at a special session late Monday, ruled that the ethical lapse merited the revocation of Chartier’s invitation to the Awards.

The group stopped short of recommending that the Academy governors rescind Chartier’s nomination. If “The Hurt Locker” were to be selected as Best Picture, Chartier would receive his Oscar® statuette at some point subsequent to the March 7 ceremonies.”

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Academy Award® Nomination: Avatar

Posted by: Audiegrl, Geot, Bluedog89, and BuellBoy


AVATAR takes us to a spectacular world beyond imagination, where a newcomer from Earth embarks on an epic adventure, ultimately fighting to save the alien world he has learned to call home. James Cameron, the Oscar®-winning director of “Titanic,” first conceived of the film 15 years ago, when the means to realize his vision did not yet exist. Now, after four years of production, AVATAR, a live action film with a new generation of special effects, delivers a fully immersive cinematic experience of a new kind, where the revolutionary technology invented to make the film disappears into the emotion of the characters and the sweep of the story.

We enter the alien world through the eyes of Jake Sully, a former Marine confined to a wheelchair. But despite his broken body, Jake is still a warrior at heart. He is recruited to travel light years to the human outpost on Pandora, where a corporate consortium is mining a rare mineral that is the key to solving Earth’s energy crisis. Because Pandora’s atmosphere is toxic, they have created the Avatar Program, in which human “drivers” have their consciousness linked to an avatar, a remotely controlled biological body that can survive in the lethal air. These avatars are genetically engineered hybrids of human DNA mixed with DNA from the natives of Pandora… the Na’vi.

Reborn in his avatar form, Jake can walk again. He is given a mission to infiltrate the Na’vi, who have become a major obstacle to mining the precious ore. But a beautiful Na’vi female, Neytiri, saves Jake’s life, and this changes everything. Jake is taken in by her clan, and learns to become one of them, which involves many tests and adventures. As Jake’s relationship with his reluctant teacher Neytiri deepens, he learns to respect the Na’vi way and finally takes his place among them. Soon he will face the ultimate test as he leads them in an epic battle that will decide the fate of an entire world.

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Credits

Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . James Cameron
Writer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . James Cameron
Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . James Cameron
Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Landau
Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . James Cameron
Editors . . . . . . . . . . . . . . . . . . . . . John Refoua, A.C.E. and Stephen Rivkin, A.C.E.
Production Designers . . . . . . . . . . . . . . . . . . . . . Rick Carter and Robert Stromberg
Director of Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mauro Fiore, ASC
Senior Visual Effects Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Joe Letteri
Costume Designers . . . . . . . . . . . . . . . . . . . . Mayes C. Rubeo and Deborah L. Scott
Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . James Horner

The cast includes: Sam Worthington, Zoë Saldana, Sigourney Weaver, Stephen Lang, Michelle Rodriguez, Giovanni Ribisi, Joel David Moore, CCH Pounder, Wes Studi, and Laz Alonso

Reviews

IMDB member from England
It was Terminator in the 1980’s and then Titanic in the ’90s and it’s definitely Avatar in the 2000s!!

James Cameron is my most favourite director and he has once again broken all boundaries and created a visual extravaganza.

Avatar is Cameron’s latest magnum opus is probably one of the most anticipated movies since Titanic and now it seems that the visionary director has indeed created a film that’ll revolutionize the world of cinema.

The film was absolutely fascinating, interesting, entertaining and emotional. I loved the look on the Pandora jungle and it must be the best scenery in film history and the navis are definitely the best digital characters since Gollum from The Lord of the Rings. The special effects are so amazing that Pandora looks like a real location and you can mistake the navis as real characters. Avatar was almost 3 hours but it didn’t seem that long.

Avatar already makes it on my top 5 favourite movies and I intend to see it again and I am already waiting for it to release on Blu Ray because I’m sure that it will be one of the best Blu Ray titles.

Did You Know?

The year is never stated, but the video log shows that the year is 2154.

Sigourney Weaver plays a James Cameron persona for her character in this film. Sigourney stated in an interview, “I teased him because to me I’m playing Jim Cameron in the movie as this kind of brilliant, approach-driven, idealistic perfectionist. But that same somebody has a great heart underneath. So I have to say I was always kind of channeling him.”

The Na’vi language was created entirely from scratch by linguist Paul R. Frommer. James Cameron hired him to construct a language that the actors could pronounce easily, but did not resemble any single human language. Frommer created about 1000 words.

Nine Nominations

Best Motion Picture
Best Director
Best Cinematography
Best Art Direction
Best Visual Effects
Best in Film Editing
Best Sound Mixing
Best Sound Editing
Best in Music (Original Score)

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Academy Award® Nominated: Sherlock Holmes

Ensemble post by: Audiegrl, Geot, Bluedog89, and BuellBoy

After finally catching serial killer and occult “sorcerer” Lord Blackwood, legendary sleuth Sherlock Holmes and his assistant Dr. Watson can close yet another successful case. But when Blackwood mysteriously returns from the grave and resumes his killing spree, Holmes must take up the hunt once again. Contending with his partner’s new fiancée and the dimwitted head of Scotland Yard, the dauntless detective must unravel the clues that will lead him into a twisted web of murder, deceit, and black magic – and the deadly embrace of temptress Irene Adler.

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Credits

Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Guy Ritchie
Producers . . . . . . . . . . . . . . . . Joel Silver, Susan Downey, Lionel Wigram, Dan Lin
Cinematography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Philippe Rousselot
Art Direction . . . . Niall Moroney, Matthew Gray, Nick Gottschalk, James Foster
Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hans Zimmer

The cast includes: Robert Downey Jr, Jude Law, Rachel McAdams, Mark Strong, Eddie Marsan, Robert Maillet, Geraldine James, Kelly Reilly and Hans Matheson

44D’s Reviews

Audiegrl
“This was a fun movie to watch. The crime-solving duo of Sherlock Homes (Robert Downey Jr.) and Dr. Watson (Jude Law) was portrayed as more of a collaboration and partnership, than that of the Basil Rathbone/Nigel Bruce combo that we all grew up on. They enjoyed a natural chemistry and really seemed to play off each other and have fun with the roles. Downey used the English accent he learned from playing Charlie Chaplin to great effect, and seemed at home in the character of Holmes. As much as the movie was about solving a heinous and diabolical crime, it was equally about their friendship. I really enjoyed seeing Holmes’ quirky neurotic side, which was a easy task for Downey. ‘This’ Sherlock Homes was made for him.”

Did You Know?

Robert Maillet accidentally knocked out Robert Downey Jr. while filming a fight scene.

The set for Sherlock Holmes’s home in this film was previously used as Sirius Black’s home in Harry Potter and the Order of the Phoenix (2007).

Watson’s line to Holmes, “You know that what you’re drinking is for eye surgery,” is an obscure reference to Holmes’s cocaine usage. In the Sherlock Holmes novel, “The Seven-Per-Cent Solution,” Watson laments that the cocaine mixture that Holmes was addicted to was originally meant as a topical anesthetic for eye surgery.

Two Nominations

Best Art Direction
Best in Music (Original Score)

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