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Book Review: James Ellroy concludes his ‘Underworld USA’ trilogy with ‘Blood’s a Rover’

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<i>'Blood's a Rover'</i> by James Ellroy

'Blood's a Rover' by James Ellroy

James Ellroy‘s astonishing creation, the Underworld USA Trilogy, is complete. Its concluding volume, Blood’s a Rover, has just been published. The three long thrillers that make up the trilogy (American Tabloid, 1995; The Cold Six Thousand, 2001; Blood’s a Rover, 2009) present a brutal counterhistory of America in the 1960s and 1970s — the assassinations, the social convulsions, the power-elite plotting — through the lives of invented second- and third-echelon operatives in the great political crimes of the era. The trilogy is biblical in scale, catholic in its borrowing from conspiracy theories, absorbing to read, often awe-inspiring in the liberties taken with standard fictional presentation, and, in its imperfections and lapses, disconcerting.~~~Norman Rush @ New York Review of Books

Canadian Press/Bruce Desilva—James Ellroy, the mad genius of American letters, snarls and spits at you from the page in this jaw-dropping conclusion to his paranoid “Underworld USA” trilogy.

He spent eight years writing this dense, massive epic, which picks up where “American Tabloid” and “The Cold Six Thousand” left off. Together, the three novels tear down the turbulent history of America between 1958 and 1972 and rewrite it to include every paranoid fantasy from the far left and the far right, throwing in a bunch more no one else could have dreamed up.

NYT Best-selling Author James Ellroy

NYT Best-selling Author James Ellroy

As “Blood’s a Rover” opens, the FBI is frantically trying to cover up its complicity in the John F. Kennedy, Robert F. Kennedy and Martin Luther King Jr. assassinations. J. Edgar Hoover is collaborating with the Mafia to undermine political enemies and to destroy the country’s black power and peace movements. And Howard Hughes and the mob are paying off Richard Nixon for his help in trying to build a new casino empire in the Dominican Republic.

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James Ellroy on his ultimate masterpiece, Blood’s A Rover

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