Category Archives: Jazz

Academy Award® Nominated: Paris 36

Ensemble post by: Audiegrl, Geot, and BuellBoy


A man is charged with murder. He is Pigoil, the aging stage manager at Chansonia, a music hall in a Paris faubourg. His confession is a long flashback to New Year’s Eve, 1935, when he discovers his wife is unfaithful and Galapiat, the local mobster, closes the music hall. Over the next few months, Pigoil loses custody of his beloved son, Jo-Jo, and must find work. Pigoil and his pals take over the Chansonia as a co-op; Galapiat is momentarily benign. Their star is the young Douce, a girl from near Lille for whom Galapiat lusts. She in turn falls in love with Milou, a local Red. There are ups and downs, but mostly ups – but what about Jo-Jo and what about the murder?

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The cast includes: Gérard Jugnot, Clovis Cornillac, Kad Merad, Nora Arnezeder, Pierre Richard, Bernard-Pierre Donnadieu, Maxence Perrin, François Morel, and Élisabeth Vitali

Reviews

IMDB member
“Nora Arnezeder reminds me of movie stars of the thirties : beautiful, charming, she can sing, dance, act… Star quality ! As for the film itself, the story is rather simple, which I come to realize, is often what makes it good. It’s not so much what the story is about but rather how you tell it. And in that case, you get to laugh, cry, you care about that Pigoil who looses his job, his wife and even his son and who doesn’t loose hope, about Milou and Douce’s love story. You’ll love the great new songs, the homage to Busby Berkeley, Jacky’s lousy jokes (a reprise of Kad’s own TV skit) and secondary characters played by first-rate comedians like François Morel and the great Pierre Richard. What’s not to like?”

Did You Know?

Faubourg is French for “the district.” The film focuses on the lives of residents of an unnamed district in Paris.

The old man, Monsieur TSF, who stays in his apartment listening to jazz on his radio, is named after TSF Radio du Jazz, a popular French radio station that has broadcast jazz music since the 1930s.

One Nomination

Best in Music (Original Song)

Back to 44-D’s Virtual Red Carpet to the Oscars®Back to 44-D’s Virtual Red Carpet to the Oscars®

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Hope for Haiti Now: A Global Benefit for Earthquake Relief” Video highlights

Thanks to everyone who joined us for a night of great music and a show of support for the people of Haiti

Posted by: Audiegrl

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President Obama Signs Legislation

President Obama Signs Legislation Providing Immediate Tax Deductions for Haiti Charitable Contributions January 22, 2010.

President Obama Is Making It Easier for Americans to Support Haiti
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In the days since the earthquake in Haiti, Americans have shown their generosity with millions of dollars in donations. Tonight, President Obama signed a bill into law that makes it easier to give. This legislation will allow taxpayers to receive the tax benefit from donations made to the Haiti effort in this tax season, rather than having to wait until they file their 2010 tax returns next year. Specifically, cash donations to charities for the Haitian relief effort given after January 11 and before March 1 of this year may be treated as if the contribution was made on December 31 of last year so that the contribution can be deducted from 2009 income. This measure applies to monetary donations, not goods or services.


Clinton Bush Haiti Relief FundUNICEFAmerican Red Cross

WFP:  World Food ProgrammePartners In Health Oxfam America
Yéle Haiti

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Update of Performers and Participants in the Hope for Haiti Now: A Global Benefit for Earthquake Relief Telethon

Posted by: Audiegrl

click here for video highlights from the show: 44-D

Friday’s multi-network “Hope for Haiti Now: A Global Benefit for Earthquake Relief” telethon will feature Ben Stiller, Chris Rock, Clint Eastwood, Denzel Washington, Halle Berry, Brad Pitt, Leonardo DiCaprio, Jon Stewart, Matt Damon, Morgan Freeman, Nicole Kidman, Samuel L. Jackson, Tom Hanks, Robert Pattinson, Will Smith, Julia Roberts, Meryl Streep, Muhammad Ali, former President Bill Clinton and more than 100 of the biggest names in film, television and music.

The telethon, will air commercial-free across MTV, VH1, ABC, CBS, NBC, FOX, CNN, BET, the CW, HBO, CMT, PBS, TNT, Showtime, Comedy Central, Bravo, E! Entertainment Network, National Geographic Channel, Oxygen, G4, Centric, Current TV, Fuse, MLB Network, Epix, Palladia, SoapNet, Style, Discovery Health and Planet Green. Canada’s CTV, CBC Television, Global Television and MuchMusic also will air “Hope for Haiti,” as will BET International, CNN International, National Geographic and MTV Networks International, making the event available in 640 million homes worldwide. ‘Hope for Haiti Now‘ will be the first U.S.-based telethon airing on MTV in China. The event will also be live streamed online across sites including YouTube, Hulu, MySpace, Fancast, AOL, MSN.com, Yahoo, Bing.com, BET.com, CNN.com, MTV.com,VH1.com, and Rhapsody and on mobile via Alltel, AT&T, Sprint, Verizon, and FloTV. Facebook and Twitter are the official social-media partners for the telethon.

All donations will benefit Oxfam America, Partners in Health, Red Cross, UNICEF and Wyclef’s Yele Haiti foundation. The Clinton Bush Haiti Fund and United Nations World Food Programme will also benefit from the telethon’s efforts, as aid will be split evenly among each organization’s relief programs for the ravaged island.


Clinton Bush Haiti Relief FundUNICEFAmerican Red Cross

WFP:  World Food ProgrammePartners In Health Oxfam America
Yéle Haiti

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A statement released Thursday detailed which musical artists would be featured from each location:

New York City, NY

  • Wyclef Jean, hosting
  • Madonna
  • Sting
  • Bruce Springsteen
  • Mary J. Blige
  • Jennifer Hudson
  • Shakira

Los Angeles, CA

  • George Clooney, hosting
  • Justin Timberlake
  • Christina Aguilera
  • Alicia Keys
  • Dave Matthews
  • John Legend
  • Stevie Wonder
  • Taylor Swift
  • Emeline Michel
  • Group performance by Keith Urban, Kid Rock and Sheryl Crow

London, England

  • Beyoncé
  • Coldplay
  • Group performance by Bono, The Edge, Jay-Z and Rihanna

Port au Prince, Haiti

  • Anderson Cooper, hosting

People can start donating even before the start of the 8 p.m. EST concert via phone and text.

The two-hour telethon will be shown on all the major networks and a host of other channels. It will be broadcast from New York, London, Los Angeles and Haiti.

Hope for Haiti Now” will begin accepting donations at 12:00 p.m. ET/9:00 a.m. PT on Friday, January 22 via the following methods:

Online: www.hopeforhaitinow.org
Phone: 877-99-HAITI
Text: Text “GIVE” to 50555
Mail: Hope For Haiti Now Fund, Entertainment Industry Foundation, 1201 West 5th Street, Suite T-700, Los Angeles, CA 90017

Complete Haiti Relief Coverage Main PageHaiti Relief Coverage Main Page

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44-D’s Best Music of 2009

Blogpost by: Ogenec

Never, ever on schedule, but always on time.” – Nas

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Hey y’all, Happy New Year!  I’ve been promising the list for some time, and I’ve been slacking.  Especially in the wake of AG’s most excellent best books list.  But like Kanye, “you should be honored by my lateness.”  🙂  What follows is a highly personal take on the best music of 2009.    The profusion in the quality and quantity of recorded music is mind-blowing.  And I especially love to be turned on to new stuff.  So I’m hoping you guys will chip in with your own suggestions.   Here we go.

Noisettes, Wild Young Hearts:  I’d never even heard of the Noisettes before Summer 09. But I heard their song “Atticus” at a store somewhere and went in furious search of the group.  Even though rock is not my genre, this is probably my favorite disc of the year.  Of course, calling this is a rock album is a serious disservice.  Most commentators call it a hybrid mesh of rock, blues, disco, and old school r&b.  They’re probably right, but it just sounds like the future to me.  The lead singer is DOPE, and I can’t wait to catch their live show.  Favorite cut: Atticus.

Mos Def, The Ecstatic:  He’s baaaack!!  Mos has floundered a little bit since his magnificent opus, Black on Both Sides.   I get it — he’s been distracted by his acting career (and weird appearances on Bill Maher).  And I liked The New Danger more than most folks.  But this is that classic Mos that we know and love.  Favorite cut: Auditorium.  Also love the remake of Roses with Georgia Anne Muldrow.

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Q-Tip, Kamaal The Abstract: The genuises at Q-Tip’s record label have to explain why they shelved this album for more than eight years.  I think it’s even better than last year’s The Renaissance.  Another hybrid album, this time with elements of r&b, soul, rock, and jazz.  Sounds like future Prince or Stevie Wonder.  Favorite cut: Do You Dig U?

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Drake, So Far Gone: Okay, this is a bit of a cheat.  The mixtape, which I’m still geeking over, came out in 2008.  But he re-released certain of the mixtape cuts on CD and itunes in 2009, so it qualifies.  As a bonus, the re-release contains an unreleased track “Fear,” which is bananas.  Hottest kid in the rap game right now, and with good reason.  Favorite cut: Fear.  Shout-out to DJ Khalil.

Lee Fields, My World: I gotta thank the good people of HBO’s Entourage for this one.  When I heard “Ladies” during the credits of one of the episodes, I lost my sh*t.  I had to cop the album.  Gutbucket soul, set to the sweetest harmonies you’ve ever heard.  And hey — I detect a little of the hip-hop influence as well.  Looks like the old school is learning from the new school, not just vice-versa.  I am a big fan of the ’60s renaissance in music.  If you love Amy Whitehouse, Joss Stone etc., check this OG out.  While you’re at it, check out Sharon Jones and the Dap-Kings too.  Favorite cut: Ladies.

Rafael Saadiq, The Way I See It: I’m sticking with the retro soul angle here.  I’ve been down with Ray-Ray since Tony Toni Tone.  This is his masterpiece.  Again, if you like the Motown doo-wop sound, you’ve gotta check this out.  And while you’re at it, get the Live from the Artist’s Den DVD.  It’s fantastic.  Favorite cut: 100 Yard Dash.

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Fela, The Best of the Black President: “Eh-heh, let us get down.  Into another underground spiritual game….”  I have to show some love to the greatest Nigerian musician of all time.  If you want to know the meaning of “underground spiritual game,” you need to check out Fela!, the best show on Broadway.  This album will hold you over until you can.  It’s a compilation of Fela’s most popular cuts.  Note, however, that these are mostly edits: many of Fela’s songs run 20-30 minutes long, and you owe it to yourself to listen to the unedited versions.  Still, an excellent way to get familiar with the genius that is Fela.  Favorite cut: Water No Get Enemy.

Robert Glasper, Double Booked: And now we segue from Afrobeat to jazz (actually, less of a transition than you might think).  Robert Glasper is my favorite jazz pianist right now.  He’s just so melodic.  He’s also incredible live — the missus and I saw him last year at the Kennedy Center.  He can play everything from straight-ahead to fusion to soul jazz to hip-hop.  And here, he does.  The first half is an acoustic trio setting; the second, “The Experiment,” a fusion exercise with Bilal and Mos Def making vocal appearances.  Wonderful stuff.  Favorite cut: No Worries.

Roy Hargrove, Emergence: A little more jazz.  I’ve loved this guy ever since I saw him play in St. Louis many moons ago.  Like Glasper, Hargrove does all variety of jazz, soul and hip-hop-inflected music.  Indeed, my favorite album of his is Crisol, a Latin jazz homage.  Here, Hargrove goes big band.  I’m not generally a fan of the big band genre, but I love this.  Especially the treatment of Mambo for Roy from the Crisol album.  Favorite cut: Mambo for Roy.

Maxwell, Blacksummersnight: Maxwell returns.  He’s lost the neo-soul affectations of his first few albums, and is in full-on grown man mode.  I love it, and you will too.  The harmonies, the live instrumentation, the trumpets, it’s all so gorgeous.  And if you missed his North American tour, you missed the best concert of the year.  Period.  Favorite cut: Bad Habits.

Me’Shell Ndegeocello, Devil’s Halo: I think of this album as sort of a bookend to Bitter.  I liked Bitter, but found it to be a little dark for me.  This is dark too, but it’s not so depressing.  Just deep, slow, and sensual.  You know, kinda like Me’Shell herself.  Favorite cut: Love You Down (wonderful remake of the Ready for the World song).

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The Dream, Love vs Money: I don’t listen to a lot of commercial radio.  Obviously.  🙂  It’s virtually all dreck to me.  But I love me some The-Dream.  I don’t think there’s anyone else in R&B working at his level.  He’s behind most of the hits you’ve danced to, from Rihanna’s Umbrella to Beyonce’s Single Ladies.  But he saved the best for himself on this album.  The-Dream is the future of R&B.  Favorite cut: Fancy.

Major Lazer, Guns Don’t Kill People, Lazers Do: I don’t even know how to classify this one.  Reggae meets rock meets electronica?  Dancehall meets punk?  I heard someone call it “electro reggae.”  Let’s go with that.  This album, from MIA’s producers Diplo and Switch, rocks HARD.  Just get it already.  Favorite cut: What U Like(WARNING: This is a VERY explicit and raunchy song.   Not for delicate ears!!!)

Raekwon, Only Built for Cuban Linx 2: The second installment of the Wu-Gambino crime-soaked masterpiece.  This is for all you who claim not to like gangsta rap.  Indulge your id and have a little fun with this one.  It’s not real, any more than playing Grand Theft Auto or watching Scarface is.  But it’s an escapist treat. Amazon says “Blazing tracks…delivered with Raekwon’s melodic flows and street oriented delivery.”  Werd.  Favorite track: We Will Rob You.

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44-D’s Twenty-Five Days of Christmas Music Videos


December 1st Do They Know Its Christmas? (Band Aid)

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December 2nd The Christmas Song (Christina Aguilera)

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December 3rd Christmas Time is Here (Toni Braxton)

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December 4th Santa Baby (Eartha Kitt and Friends)

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December 5th I’m Dreaming of A White Christmas (Bing Crosby)

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December 6th Have Yourself A Merry Little Christmas (Luther Vandross)

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December 7th Joy to the world (Mahalia Jackson)

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December 8th Thank God Its Christmas (Queen)

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December 9th Last Christmas (Wham!)

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December 10th The Christmas Song (Nat King Cole)

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December 11th Blue Christmas (Elvis Presley)

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December 12th Feliz Navidad (Jose Feliciano)

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December 13th Have Yourself A Merry Little Christmas (James Taylor)

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December 14th Have Yourself A Merry Little Christmas (Judy Garland)

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December 15th Let It Snow (Boyz II Men)

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December 16th Jingle Bells (Bebe and Cece Winans)

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December 17th Little Drummer Boy (Celtic Woman)

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December 18th Here Comes Santa Claus (Gene Autry)

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December 19th The First Noël (Allison Crowe)

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December 20th Have Yourself a Merry Little Christmas (John Denver)

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December 21st Merry Christmas, Baby (Bruce Springsteen)

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December 22nd Silent Night (Kelly Price)

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December 23rd All I Want For Christmas is You (Mariah Carey)

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December 24th Rockin’ Around the Christmas Tree (Brenda Lee)

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December 25th Merry Christmas Darling (The Carpenters)

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Back to Happy Holidays Main Page

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Lopez Tonight! Guest Schedule for 12/7 thru 12/10



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Monday, December 7, 2009

Kathy Griffin
Rico Rodriguez
Sean Paul

Tuesday, December 8, 2009

Clint Eastwood
Jane Lynch
Dierks Bently w/Patty Griffin

Wednesday, December 9, 2009

Cedric the Entertainer
Morrissey

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Thursday, December 10, 2009

Hilary Duff
Scott Bakula

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Funniest Clip from Last Week’s Show

George welcomed “Private Practice” star Taye Diggs, who talked about being confused with Michael Jordan, his high profile interracial marriage (with a green chick), and how he got the nickname “Kelp“. Taye likes to collect sneakers, and George gave Taye Diggs a limited edition pair of Nike Air Force One sneakers — designed by world-renowned tattoo artist, Mr. Cartoon.

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Disney’s First African-American Princess Marks Studio’s Return to Old-Style Animation

Posted by Audiegrl

Among Disney’s Royal Ladies, Princess Tiana Is a Notable First

AP/Mike Cidoni—For most of the last century, the Disney ‘toon heroine was as white as, well… Snow White, the studio’s first feature-film superstar, who marked her debut in 1937’s “Snow White and the Seven Dwarfs.”

It would take some 60 years for the Disney artists to begin painting their leading ladies with all the colors of the wind, including the American Indian Pocahontas (1995), the Chinese Mulan (1998) and the Hawaiian Lilo (2002).

Only now, with “The Princess and the Frog,” have Disney animators put a black female front and center. Ironically, the inspiration for the new film came from two Caucasian men: current Pixar-Disney chief John Lasseter and the late Walt Disney himself.

The story really came from an initial idea of doing an American fairy tale, which hadn’t been done at Disney,” said “Princess” co-director Ron Clements. “And setting it in New Orleans, which is John Lasseter’s favorite city in the world. It was Walt Disney’s favorite city in the world … Out of that, it seemed natural that the heroine would be African-American.”

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Anika Noni Rose in Disney’s ‘The Princess and the Frog‘; ‘Dreamgirl’s‘ latest role is history making

Anika Noni Rose, famous for her role in 'Dreamgirls' both on Broadway and in the hit movie, stars in Disney's latest.

Anika Noni Rose, famous for her role in 'Dreamgirls' both on Broadway and in the hit movie, stars in Disney's latest.

NewYorkDailyNews/Joe Dziemianowicz—Anika Noni Rose has good reason to feel animated.

Her latest starring role isn’t simply high-profile — it’s downright historic.

The Princess and the Frog” leaps into local theaters on Wednesday, and her voice will be heard as Disney’s first animated black heroine: Tiana, a sassy go-getter out to rescue a bewitched prince from amphibian oblivion.

The tweaked Grimm’s fairy tale is set in jazzy 1920s New Orleans, but Rose, 37, a Tony winner best known from the movie version of “Dreamgirls,” says her connection to Tiana is rooted right at the core of the Big Apple.

Rose was in the middle of Times Square when word came that she’d landed the coveted regal role.

The producers “had been trying to reach me for quite a while, but I’m a New York girl,” says Rose. “I was trying to do 10,000 things at once and didn’t get the phone. I ended up running to the Disney office. Luckily they were nearby — and I was in sneakers.”

Those sensible shoes fit the character of Tiana, a chef who’s waiting tables until she can open her own restaurant.

Unlike other Disney princesses introduced with a trademark “I want” tune revealing their deepest desire (like the Little Mermaid, Ariel, who wants to “be where the people are“), Tiana’s first song, “Almost There,” is one of self-confidence and certainty.

She’s been saving and saving, and she’s got the down payment ready,” says Rose. “She sees her dreams coming true.”

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A Fairy Tale Beginning

Tiana, the heroine in the upcoming 'The Princess and the Frog.'

Tiana, the heroine in the upcoming 'The Princess and the Frog.'

Washington Post/Neely Tucker—In the 72 years since Walt Disney’s animated version of Snow White captivated audiences as “the fairest of them all,” there have only been eight such Disney princesses. Through these movies and a line of toys, dresses and figurines, the Disney princesses have become global, doe-eyed icons of childhood. Sleeping Beauty awakened by a kiss, Cinderella’s clock striking midnight, Belle waltzing in the Beast’s castle, Ariel with Prince Eric in the moonlit lagoon — these have become heroines whom parents the world over feel safe to let their young girls idolize and mimic. And while Disney has brought us nonwhite princesses before (see “Mulan,” “Pocahontas“), Tiana is a first.

The implied message of Tiana, that black American girls can be as elegant as Snow White herself, is a milestone in the national imagery, according to a range of scholars and cultural historians.

Her appearance this holiday season, coming on the heels of Michelle Obama’s emergence as the nation’s first lady, the Obama girls in the White House and the first line of Barbie dolls modeled on black women (“So in Style” debuts this summer), will crown an extraordinary year of visibility for African American women.

But fairy tales and folklore are the stories that cultures tell their children about the world around them, and considering Disney’s pervasive influence with (and marketing to) young girls, Princess Tiana might well become the symbol of a culture-changing standard of feminine beauty.

If this figure takes off, you’re looking at 30 or 40 years of repetition and resonance,” says Tricia Rose, a Brown University professor who teaches both popular culture and African American studies, citing the enduring popularity of Disney princesses at the company’s theme parks, on Web sites and in videos.

“It’s a very big deal,” says Leonard Maltin, the film historian, critic and author of “Of Mice and Magic: A History of American Animated Cartoons.”

She’s the first modern American [Disney] princess, and that she’s black sends a huge message,” says Cori Murray, entertainment director for Essence magazine.

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My Families Experience at Disneyland…

Last night, while putting together this story, I mentioned to Ogenec, my own families experience at DisneyLand. At his request, I’ve added our story to this post.

1966 DisneyLand Guidebook

1966 DisneyLand Guidebook

When I was around 4 years old we drove to Los Angeles to visit our cousins and their kids. My Mom and Dad being older, offered to take us all out to DisneyLand. So it was me, Michelle (age 4), Peter (age 5), and Alex (age 8), and our two sets of parents. My dad purchased the groups admission and also a ticket book, which allowed us to ride all day. Believe it or not, it was only $5.00 for adults, and $4.00 for kids under 12, which back then was a lot of money to spend for just entertainment. My Dad gave the ticket book to my cousin George to keep in his back pocket. My cousin’s were very young parents, and couldn’t have been more than 25 or 26 at the time.

So we get to the first ride, and of course, we are all excited and squealing with joy, and guess what? The ticket book is gone. Someone stole it from George’s back pocket, man, was he upset. So my Dad, being 46 and the oldest of our group, takes charge and he and George go to find some manager to see what could be done. They were taken into a office, and sat in front of the secretary in the waiting room. By this point, they were getting kind of nervous… This was 1966, and there were not many other Black people at the amusement park, so they just assumed that we were all going to get thrown out for trying to scam the joint. LOL 😉

After about 15 minutes, a man comes out of the office, and asks my Dad and George to step in and sit down. He sat on the edge of his big desk and listened very quietly to their story. My Dad told him they didn’t want to disappoint their kids, and was there anyway they could get some ride tickets back, not all that were stolen, but just enough so the kids could ride a few times, and then we would all leave.

The man said, “That’s out of the question. You came here with your family, and someone robbed you, so that’s not your fault. Please take these ticket books, they are good for all weekend, and your family can ride as much as they want, and come back tomorrow if they want to.”

walt-disney1My dad and cousin got up, to shake this mans hand and thank him. My dad said, I’m sorry sir, I never got your name? The man said, my name is Walt Disney…..

True Story…

I’ve read different opinions on why Disney decided to create this movie. Some are not impressed, and have said that Disney’s motivation is more of a financial nature, rather than a move to foster any kind of diversity. Whatever Disney’s reasons, I’ll always remember my own families story, and have to believe somewhere, some place, Walt Disney is smiling…because for him, it was all about the kids.~~AudieGrl

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