Academy Award® Nominated: The White Ribbon (Das Weisse Band) ~ Germany

Ensemble post by: Audiegrl and Geot

The White Ribbon

The action takes place in a German village in the fifteen months that precede World War I. Among the people who live there are a baron, who is a large landowner and a local moral authority, his estate manager, a pastor with his many children, a widowed doctor and a schoolteacher who is thinking of getting married. It is he who, many years later, tells this story.

Though everything seems to be quiet and orderly, as it always has been, with the seasons following each other, and good harvests following bad ones, suddenly some strange events start to occur. If some appear to be quite ordinary, even accidental — a farmer’s wife dies falling through rotten floorboards — others are inexplicable and may well be malevolent. Thus, a wire placed at knee-height has brought down the horse being ridden by the doctor, who is severely wounded.

There’s more of the same: an unknown hand opens a window to expose a newborn baby to the intense cold of the winter. A whole field of cabbages, on the baron’s land, are beheaded with a scythe. One of the Baron’s sons disappears: he is found his feet and hands bound, his buttocks lashed by a whip. A barn belonging to the manor is set on fire. A farmer hangs himself. A midwife’s handicapped child is found tied to a tree, in a forest, seriously beaten, with a threatening message on his chest speaking of divine punishment.

The village is worried, and at a loss as to what to do. The schoolteacher observes, investigates and little by little discovers the incredible truth…

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Credits

Director/Screenplay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Haneke
Producers . Stefan Arndt, Veit Heiduschka, Margaret Menegoz and Andrea Occhipinti
Cinematography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christian Berger
Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Monika Willi
Production Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christoph Kaner
Costume Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Moidele Bickel
Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Guillaume Sciama
Production Company . X Filme Creative Pool/Wega Film/Les Films du Losange/Lucky Red

The cast includes: Christian Friedel (The Schoolteacher), Leonie Benesch (Eva), Ulrich Tukur (The Baron), Ursina Lardi (Marie-Louise, the Baroness), Burghart Klaussner (The Pastor), Steffi Kühnert (Anna, the Pastor’s wife).

Reviews

IMDB member from Germany
Few film auteurs can match the consistency of Michael Haneke, and once again the Austrian filmmaker has come up trumps with an exquisite and brooding mediation on repression, tradition and the sins of the father.

Shot in stunning black and white, the film chronicles a series of mysterious events in a town leading up to the outbreak of WWI. The pace is slow and thoughtful, and the film is reference to August Sander while being a respectful throwback to the German expressionists whose work would come out of the horrors the film’s narrative seems to foreshadow.

The hallmarks of Haneke’s body of work are all there – elegiac tone, clinical editing, wincingly frank dialogue – but in many ways The White Ribbon stands alone in the canon. It is a challenging work that will polarize audiences but represents a breathtaking new wave not just in the director’s career but in European cinema.

Did You Know?

The White Ribbon is the ninth predominantly black-and-white film to be nominated for Cinematography since 1967, when the separate category for black-and-white cinematography was eliminated. Previously nominated films were In Cold Blood (1967), The Last Picture Show (1971), Lenny (1974), Raging Bull (1980) Zelig (1983), Schindler’s List (1993) The Man Who Wasn’t There (2001) and Good Night, and Good Luck. (2005) This is also the ninth nomination for Germany.

Two Nominations

Best Foreign Language Film~Germany
Best Cinematography

Back to 44-D’s Virtual Red Carpet to the Oscars®Back to 44-D’s Virtual Red Carpet to the Oscars®

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5 Comments

Filed under 82nd Academy Awards, Best Foreign Film, Culture, Entertainment, Germany, Hollywood, Movies, Reviews, Uncategorized, Video/YouTube, World

5 responses to “Academy Award® Nominated: The White Ribbon (Das Weisse Band) ~ Germany

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